here ya go man
jónsi: playing the guitar with a bow
a novel challenge facing ken thomas is that of getting the desired spatial characteristics from jónsi°s guitar. as birgisson is one of the few guitarists left in music who plays with a bow, thomas has been finding it particularly difficult to capture accurately on tape. "the approach is to get the sound right through the amp, and then to get it as open as possible," he laments. "we°ve tried moving the mics, jónsi has played the guitar differently, we°ve tried moving the strings up and down, we°ve tried everything. it°s quite a delicate job and we still haven°t got it right."
perhaps surprisingly, birgisson hasn°t need to perform many alterations on his guitar to make them more suitable for his style of playing. "i use a Gibson les paul - i find it kind of really nice for the bow," he says. "the bow isn°t hard to learn - you just play it slowly and through a lot of reverb. i use a cello bow, not a violin bow. some people don°t know that you have to use rosin, but it is important to use it; you also have to use cello rosin and not double bass rosin. the feel for the bow just comes, but it takes a long time to develop the touch.
"i use the same tuning and everything, there°s nothing really strange about it. it°s how you play it. with a bow you can get loads and loads of overtones so it°s about how you handle them. it°s like you°re riding a really mad horse and you°re trying to tame it."