Is that a 244 on the shelf above the 512? How long have you been recording? I'm not an expert (and I don't play one on TV), but those sound pretty damn close to professional demos.
i began recording on my literal iphone mic and bandlab (garage band equivalent) in january of 2024. fast forward to april of 2024, and i began using a tascam 244 to record EXTREMELY CRAPPY stuff. i was recording terrible levels, using terrible eq to tape and mixing with headphones on exclusively. here’s the result of
that. if you don’t know, using eq choices and mixing decisions from headphones is a pretty bad idea.
but in september of 2024, i laid down a proper 244 recording
here and mixed it on my new kali lp6 monitors. i have 2 units since my original 244 had transport problems, and the newer one has problems on channel 3. i run the tape outs of my “newer” 244 to the inputs on the older 244 that sits in front of my monitors, which makes it an overall more optimal system to record and mix using cassette.
anyways, as far as reel to reel goes, i bought it serviced from a dude in july of 2024, and spent the rest of the year buying cables, patch bays, dbx NR units, learning how to best use the machine and getting good signal to tape. i found that the tascam m512 for some reason could NEVER put good signal to tape using the pre amps, so i used the focusrite isa one as the pre amp. i recorded my first song on it december 27th, 2024. those 2 songs on my initial post were largely recorded in march of 2024, vocals recorded in april. only 6 songs total have recorded on the machine, about 24 minutes of music.
i really appreciate the kind words, it affirms what i feel as though is an innate talent i have for recording, arranging, and mixing my own concepts. music is so friggin good, and i want to show people in my scene what someone is capable of if they have the drive to make something good. too much mediocre music is being made around me, and people spending tons of money to “lay down some studio drums” for their mediocre song that could be done better at home with more initiative.
sound wise, i feel like i’m mixing together 2 sources. the first, known to many, is the boston debut LP and tom sholtz’ fantastic work as an arranger, recorder, engineer, and all the amazing choices he made on that record. 2nd is the FANTASTIC home recording work of mac demarco, and his luscious sounding LP “2”. listen to
this song and tell me if it sounds like 1/4” tape from a fostex 8 track machine. i have DOUBLE the tape width, a way better mic preamp, and possibly a more mixing professional board than his fostex 812 used on this song and yet it sounds so crisp. a lot of older folk will look at this young guy and think he’s using sneaky tricks, but absolutely not. that song is the sound of dolby C, 1/4” 8 track tape at 15 ips, and a fostex 812 mixer with alesis outboard gear.