New Studio - room treating 102

  • Thread starter Thread starter pure.fusion
  • Start date Start date
P

pure.fusion

New member
Hi all.

Had a great thread here (well, great for me who is learning)...

https://homerecording.com/bbs/showthread.php?p=3349584&posted=1

.. about where I should place my monitors to get "proper" sound. This has lead more to a "treat your room" thread so I though I'd start another.

Trying to avoid the more common questions, I'll start by saying,

- I've implemented the 38% rule, so my head is 38% in from the "front" wall.
- I have my monitors set up in an equilateral triangle, spaced out from the wall.

And I understand that, my largest problem will be getting anywhere near a flat response from the listening position, with the biggest problem of all being the bass frequencies, requiring bass traps.

Also, I've been reading Ethan Winer articles (who seems to be everywhere when you do a search for bass traps, probably due to the R rated video!) and have generally read on the internet about this topic.

Understanding that everything is a compromise in my perfectly rectangular room and no amount of treating (with my budget) will get me a totally flat response, at this stage I'm ready to commit to everything necessary to get a better response from the listening position.

Please see my crappy diagrams below which will probably save me a lot of typing.

I have a few variables to weigh up and I don't know quite how to attack this problem. I am up to the part where I take into account :-

- what shape
- where
- and with what material to use

The *where* part is fairly self explanatory at this stage; corners of the room and reflection points, as suggested by John H. Brandt in this forum - thank you.

The material? 100mm (4 inch) 48kg/cm2 acoustic insulation, placed in the corners and bridging where the roof meets the wall. Also, three panels for the reflection points at the two sides and the roof. Where the panels sit flat against the wall, i could set them 100mm out fro the wall to get a better result.

Shape? Yeah, good question.

** So, in the hope of getting some answers here, I'll be specific: **

How big do the reflective wall (and roof) panels need to be? I can calculate the theoretical point of where on the wall the speakers sounds will reflect, but how much area of absorption should I attach this ?

Does the covering material (open 'burlap' type material to let air and sound through) go on all of these proposed panels shown in my crappy diagram? Or do I need different material on the bass traps to the "first reflections" absorbers?

Ethan Weiner talks about alternating two different types of bass absorbing material here (http://www.ethanwiner.com/acoustics.html). Should I worry about this at this stage?

** big question **
Should I use the Room EQ Wizard (http://www.hometheatershack.com/roomeq/) to try and steer my construction, or is this just a crap shoot and a waste of my time in my predicament?

I guess I start with this and see what comes back to me.

Cheers,
FM
 

Attachments

  • Proposed Studio.webp
    Proposed Studio.webp
    7.3 KB · Views: 375
  • proposed-Traps.webp
    proposed-Traps.webp
    50.4 KB · Views: 371
Hey FM,

I'm trying to achieve something similar in my basement studio thread but with complete sidewalls and a front with monitor soffits and I have followed your previous thread because of the valuable contributions by John, Ethan et al. I saw from your diagram that you have a door in the rear wall just like I have in my proposed "control room" and I think you'll need a bass trap there, too. I suppose you're not going to remove the door so as I have the same problem I'll need to come up with a movable bass trap. The good thing is, I don't actually need to come up with it because someone else did it already (I suppose he's not the only one). I've found his studio contruction thread (the Stiz build diary) very interesting. There are many good examples in there. Have a look at the photos of the completed room. There are many photos of the build in progress on the earlier pages of the thread and maybe there is somethig useful there for you.

Should I use the Room EQ Wizard (http://www.hometheatershack.com/roomeq/) to try and steer my construction, or is this just a crap shoot and a waste of my time in my predicament?

Of course I am no expert, but from what I've read, it wouldn't make any sense to use the Room EQ Wizard in such an early stage without treating the room to a basic level (early reflections & corners) beforehand. Maybe I am wrong, so hopefully someone with a little expertise will weigh in.

Cheers
Tim
 
Funny coincidence: I have a "large ceiling beam" in the other room which I want to use for tracking (the room, not the beam). Do you consider treating the beam? What do the experts say?

Cheers
Tim
 
Ahhh, speak of the devil! Love your work.

Thanks Ethan, yes I'm familiar with that article. And this one...
http://www.ethanwiner.com/acoustics.html

At the point of looking for gear, I don't want to get out the scissors until I've got a clear idea of what I'm doing.

The first reflection points I plan to have 4inch (100mm) insulation, set off the wall, and covered in material that will absorb mids and highs - I *think* this is what you do....

But I can make the first reflection absorber 1 foot x 1 foot. Or I can make it span the entire wall. I was looking for guidance here.... amongst other stuff ...

FM
 
Hey FM,

I'm trying to achieve something similar in my basement studio thread but with complete sidewalls and a front with monitor soffits and I have followed your previous thread because of the valuable contributions by John, Ethan et al. I saw from your diagram that you have a door in the rear wall just like I have in my proposed "control room" and I think you'll need a bass trap there, too. I suppose you're not going to remove the door so as I have the same problem I'll need to come up with a movable bass trap. The good thing is, I don't actually need to come up with it because someone else did it already (I suppose he's not the only one). I've found his studio contruction thread (the Stiz build diary) very interesting. There are many good examples in there. Have a look at the photos of the completed room. There are many photos of the build in progress on the earlier pages of the thread and maybe there is somethig useful there for you.



Of course I am no expert, but from what I've read, it wouldn't make any sense to use the Room EQ Wizard in such an early stage without treating the room to a basic level (early reflections & corners) beforehand. Maybe I am wrong, so hopefully someone with a little expertise will weigh in.

Cheers
Tim

Hey Tim.

yeah, that's what I thought - treat it for the bass and first reflections 'cause you *know* they're going to be needed, then maybe measure and try to address any obvioius problems.

As far as treating hte beam - probably not at this stage. I'm really new at the concept really and effectively are swinging wildly with a blind fold on.

Thanks for your info. The learning goes on...

FM
 
I can make the first reflection absorber 1 foot x 1 foot. Or I can make it span the entire wall.

It depends on how far you are from the speakers. It's not a reflection "point" but rather an area. In most rooms, 4 by 4 feet of absorption will give you a very large "sweet spot."

--Ethan
 
Hi all, plans going well. Buying material, insulation amd wood soon.

A few questions here for those who want to chime in.

Can anyone comment on the shelf mounted on the brick wall on the right hand side (in the picture above). This shelf will be obscuring the 1200x1200mm first reflection absorber I plan to install. I can either split the absorber and mount it directly above and below the shelf, or I can remove the shelf. Do you think leaving the shelf where it is will defeat the purpose of putting an absorber there? How relevent is this?

Also, I just realized that my flat screen monitor is right in the middle of things. Is this working against the treating of my room?

Cheers,
FM
 
Funny coincidence: I have a "large ceiling beam" in the other room which I want to use for tracking (the room, not the beam). Do you consider treating the beam? What do the experts say?

Cheers
Tim

No expert advice for the beam. I imagine this would be near impossible to comment on anyway. Unknown room, unknown beam, unknown person.

I think that the beam, just behind the listening position on the roof, would be a first reflection point and would have to bounce at least some sound toward the back of my head. Whether or not this will make a big or small difference to the sound (or any at all) I have no idea.

But I guess it's not difficult to treat for mid to high frequency reflections; just use some of the foam that scatters the reflections.

So, yes. I'll treat the beam for mid and high frequency reflections.

FM
 
Bass trap mounting question: Hang or attach?

Quick question for those in the know.

Does it have a bearing on the function of a bass trap if it is hung from the roof, rather than attached physically to the roof and wall ?

Thanks,

FM
 
^^^ How a trap is attached is mostly irrelevant. What matters is having it in the correct place.

--Ethan
 
Thanks for that Ethan.

Building soon.

Hmmm, quite excited about it too. I have a couple of songs to mix down and I'd like to hear what they actually sound like...

FM
 
First panel up! First reflection point and bass trap.

Man, this was a mach larger job than first expected. but I'm up for it.

Found some Hessian (Burlap) material after consideration of many others. Yep, hessian works well in many ways.

.. and funnily enough, if you speak into the panel, there's not a whole bunch of sound come out. Can't wait 'till the others are up.

The help of a air compressor, staple gun and nail gun was *fantastic*. You want these tools if you're gonna built 15 bass traps.

Cheers,
FM
 

Attachments

  • photo_build_1.webp
    photo_build_1.webp
    32.8 KB · Views: 255
Mounting bass traps

Hey, the bass traps are coming along just fine. (Photo to follow)

Man, it has been soooo time consuming. This is the 3rd week now and all traps are made. Some traps are mounted (1st reflection points), but there are 7 left to mount.

Please chime in here and tell me HOW YOU MOUNTED YOUR WALL/CEILING PANELS. It's turning out to be a bit difficult and I don't know where to start.

I have a plaster ceiling and brick walls.


Cheers,
FM
 
75% there. Bass traps for the rest of the room to go...

FM
 

Attachments

  • IMG_1752 (Medium).webp
    IMG_1752 (Medium).webp
    22.8 KB · Views: 219
For those searching on bass trap building threads and how to mount them, I found the best way to mount those 45 degree traps (ceiling/wall) was to use masonary anchors with a hook or eye into the brick, then use chain to attach the traps.

*** make sure the anchors are in good and tight ***

The traps and the 1st reflection points have made a noticable difference already - stereo imaging. Also a change in the amount of bass I hear at the listening point.

I have no idea on the actual response of the room until I measure it, but going on basic principles for a rectangular room it was always *going* to need lots of bass trapping. So this will be a good start and I can treat further from here if necessary.

But really, all this is only to be able to mix down music that I've recorded. I really got sick of mixing something, only to find out that on most other hifi systems that the mix is all over the place. If the room is one step closer to having a linear response, maybe this issue will be sorted out for me. Plus, what's the point of having studio monitors when ther room is un-treated? Otherwise you as well use any speakers with any response, right?

Five more bass traps to go along the ceiling/wall joins.

... then on with the recording!

FM
 
My beautiful blue carpet? Won't happen!

.. but I will take on board some of Ethan's suggestions and whack down a large portable piece of something reflective when I record vocals/sax/trumpet etc. Aparrently this is the work around.

.. yep,the room does sound quite dead with the traps.

FM
 
Back
Top