Thanks so much for listening and your feedback. Your comments are very helpful and are right on the issues that I've been working on.
Slack: It's a Martin 00016C (Classical) guitar recorded with an AT4047 (large condensor) mic, about 6 inches away from and pointed at the soundhole at about a 30 degree angle, into an Aardvark Direct Pro 24/96 and mixed with N-track. I'm thinking that the boxiness of the vocal is probably a room acoustics issue. I'm standing in the open double doorway of my 9 by 14' "office" facing out into my 14 by 18' living room, which has a lot of wood and a big rug. The natural room sound seems to work better for the guitar than the vocal. I suppose I should break down and work on some acoustical treatment. After reading and consulting with John Sayer, I want to try singing out the window (!) but it's too cold right now.
Chuch: I agree that the vocal should come up a little, especially in the beginning of the song. I kept going back and forth with this; when I back off the guitar it starts to sound too soft. Part of my problem is that as a solo performer, I always want as much bass as possible on the guitar, and to get that I'm boosting the eq at about 300-400hz, which is about the same range that adds strenth to the vocal. But maybe, as you say, I'm overdoing it a little leading to some muddiness on the guitar and weakness in the vocal. (I've already got as much compression as I'm comfortable with.) I've also got the high end (like a high shelf starting at between 10-11k) boosted a bit -- but I think that Sonusman and the other pro engineers are probably right that the software boosts don't work very well past about 6.
Do I MIND if you keep it on your systems? That's a great compliment; I'm humbled that you'd want to. YES YES, keep it forever, send it to friends, etc etc.
Thanks again.