Marik - yeah I've been absent, real life (job changes, moving) are intervening
Dejacky - Sorry no, samples - the studio is packed up for a while
The modified 219's and 319's are never harsh in the way many of the Chinese capsules some times are. That's one of the reasons I like the Oktava capsule.
With the HF boost disc removed, these mics have a nice smooth top end that rises 3dB/Octave from 2.5kHz to 10kHz then rolls off smoothly to 13kHz where it is still +4dB relative to 2.5kHz. Drops like a rock after 13kHz.
With the stock HF boost disc in place, 10kHz is boosted another 3dB but phase cancellations are introduced which notch the frequency response and impair transient response.
I'm always amazed that these mics get slagged off as "too dark". Well yeah, compared to most of the screachy stuff that's out there.
The issue of harshness aside, the 219/319 has, to my ear, a really great lower midrange presence that is very commanding and almost agressive. This gets back to my earlier thoughts about "voicing" - I think these mics were voiced by individuals with very clear aural ideas about what a large diaphragm condensor should sound like on certain sources. Big.
Anyone who heard radio Moscow in the 60's will know what I mean.
Now, If I could only make some money as an Oktava shill...