R
Ron Schilling
New member
Hello,
I was wondering what experience folks have had mixing down from digital multitrack (I'll be using a Tascam DA-38) to 1/4" reel to reel (to get that nice analog sound), then going from the 1/4" analog "master" to CD for MP3 conversion, multiple copies, etc.
Dolby/DBX noise reduction systems have always driven me crazy, and I'm really interested in ideas on whether or not to use the noise reduction on the 1/4" mixdown. Recordings with the noise reduction always sound great on the systems I've used to make the original recordings, but they often have sounded really lousy when played on other systems because of the encoding/decoding incompatibilities among the various noise reduction systems. However, since I'd be playing the master back through the original noise reduction system when copying to CD, the noise reduction "should" work, thereby making a better "master" and a better sounding copy on the CD.
Make sense, ideas, suggestions?
Thanks,
Ron
I was wondering what experience folks have had mixing down from digital multitrack (I'll be using a Tascam DA-38) to 1/4" reel to reel (to get that nice analog sound), then going from the 1/4" analog "master" to CD for MP3 conversion, multiple copies, etc.
Dolby/DBX noise reduction systems have always driven me crazy, and I'm really interested in ideas on whether or not to use the noise reduction on the 1/4" mixdown. Recordings with the noise reduction always sound great on the systems I've used to make the original recordings, but they often have sounded really lousy when played on other systems because of the encoding/decoding incompatibilities among the various noise reduction systems. However, since I'd be playing the master back through the original noise reduction system when copying to CD, the noise reduction "should" work, thereby making a better "master" and a better sounding copy on the CD.
Make sense, ideas, suggestions?
Thanks,
Ron