O
ofajen
Daddy-O Daddy-O Baby
These little foam things don't impress me. If you want to check out the real deal, go here:
http://www.asc-studio-acoustics.com/qsf.htm
The application guide really gives you a sense of what's possible:
http://www.asc-studio-acoustics.com/qsf-application-guide.pdf
Admittedly, the Studio Traps aren't cheap if you buy them new, but nothing else comes close to doing what they do, which is why big name guys like Swedien use them constantly. Frankly, with some homerec folk spending big bucks on mikes, preamps, compressors, gates and other gear, this is really the overlooked secret weapon in overcoming the biggest gap between home and pro studio: the quality of the acoustic environment around the mike.
Cheers,
Otto
http://www.asc-studio-acoustics.com/qsf.htm
The application guide really gives you a sense of what's possible:
http://www.asc-studio-acoustics.com/qsf-application-guide.pdf
Admittedly, the Studio Traps aren't cheap if you buy them new, but nothing else comes close to doing what they do, which is why big name guys like Swedien use them constantly. Frankly, with some homerec folk spending big bucks on mikes, preamps, compressors, gates and other gear, this is really the overlooked secret weapon in overcoming the biggest gap between home and pro studio: the quality of the acoustic environment around the mike.
Cheers,
Otto