Richard Monroe
Well-known member
Well, Tonewoods, I hope you do this for a living, 'cause if you're a homerec'er, you got a serious gear addiction problem.-Richie
Track Rat said:Let's see
Octava MC-319 (1)
GT AM-52 (1)
AKG C-3000 (1)
Apex 420 (1)
Neumann KM-184 (2)
Earthworks SR-72 (2)
Octava MC-012 (2)
AT 4033 (2)
AKG C-1000S (2)
Tascam PE-80 (2)
Beyer M-260DX-Sank modified (2)
Shure SM-57 (7)
Shure SM-58 (2)
AKG D-112 (2)
ElectroVoice PL-80 (1)
Shure 55 Series Unidyne (2)
Radio Shack PZM (2)
A box with about a dosen P.O.S. mics (Prologs and such).
Next purchase, the Steven Paul 1" condensor whenever it hits the market.
That mic is fine!Its been a standard for years..I think one of the aposiles MC'ed the "Last Supper"with one.LOL....Maybe they wanted you to spend more cashBob A. Vader said:i got my SM57. Although the sales folks at guitar center downplayed it so much i am not so sure(no pun intended) about it now.
i have not had the chance to really record on it...but i did check my vocals on it..and it sounds pretty nice
It's good not to get your hopes up about the ECM 8000s, I guess, but they're so good on loud percussion sources. You will not be dissapointed if you use them for drum overheads or tamborine. Other sources are little bit iffier because of their self noise.badassmak said:I have also recently aquired an SM58, oh yea baby...and a pair of ECM8000's, for the price again, I don't think someone can go wrong. I'm not going to expect wicked results mind you, but having these condensors on hand beats the alternative...none .