Sonusman - you said - "I can see the Neutrik for any interconnects in the racks, but I can tell you right now, you will be sorry for not using regular ol' Switchcraft cannon ends for your mic cables. I have NEVER had to replace one, yet, I have replace about 60% of my Neutrix connectors for mic cables. The plastic housing's do not hold up well, and for a stinkin' connector that cost's more than the Switchcraft, I just can't see paying it. " -
I agree totally, especially for XLR's - The question dealt with studio wiring, not live sound, or I would not have recommended Neutrik for 1/4" either. I've not used Neutrik's XLR's, and now thanks to you I won't bother. However, for ease of wiring in "gentle" applications,
the Neutrik NP2c and NP3c phone connectors are much faster for me to make up, and I like their strain relief method better than the standard Switchcraft phone plugs.
For stage use, I prefer the ($$$) Switchcraft #170 phone connectors. Their strain relief is re-usable without worrying about breaking it off after the 3rd or 4th time, since it's a rubber grommet with a screw-down collet. For some larger diameter cable, I've had to remove the rubber grommet temporarily and drill the body slightly, then chamfer the rear so it doesn't nick the cable, but the added robustness is worth it. Doesn't take too long if you do 100 at a time on a drill press. I don't remember EVER having one of the 170's fail in live sound applications, but then I've never had some idiot run over my cables with a forklift. Probably a good thing, I doubt prison life would appeal to me...
As far as cost, the Neutriks are available for about $3 in lots of 100, where the heavy duty Switchcraft 170's are about $5 in lots of 100, and about $8 each in lots of 1-9. I haven't priced the standard Switchcraft phone plugs recently, since I either use the 170 or Neutriks depending on application... Steve