elbandito
potential lunch winner
I've been under the impression that matched mics were as important in M/S micing as it is in stereo micing situations. Recently, I was told that this isn't the case. To this end, I'm gonna try to record a jazz band live in M/S and see how it goes. I'll be using my SP CS5 as the S mic but I've got two choices for the Mid: an SM94 or a Rode M3. When I've tried the M3 at a distance, I wasn't overly impressed and as I only have one SM94, I've never bothered to try anything but close micing with it. Has anybody had experience with using an SM94 in an M/S situation, or at least in a distant mic situation? Also, mightn't I be better off using something with a larger diaphragm for the Mid mic?
Thanks all.
Thanks all.