Alanfc
New member
OK sorry thats the only way I can describe it.
The only way I've ever been able to get that "wet" -sounding chunka chunka eighth notes or galloping triplets , muting with palm, is with high-distortion settings. But now that I've got me a preamp and compressor I want to cut as much distortion as I can and still get that sustain but with clearer punchier attack. I think compressors are supposed to be good for that. The tone I'm shooting for, is a cross between Angus Young and the guys from Meshuggah. Seems contradictory but atleast in my head and to my ears, that sound is there. But my experimentation with compression settings is going poorly.
I originally got the preamp (VTB-1) & compressor (RNC) for vocals, and now am trying these with my Marshall and SM-57 just to see what other flavors I can make. I figure the preamp is transparent enough (I keep the "tube blend" at zero) but I want to compress just a tad 2:1 or so, to tighten things up on the way to my PC recording setup. (would that be a legit tactic?)
But for making sustain with low distortion levels, are we talking about more squashing or more artful use of attack and release? I'm seriously obsessed with this right now.....anyone else have this fever? any obvious thing I'm missing here?
thanks alot
The only way I've ever been able to get that "wet" -sounding chunka chunka eighth notes or galloping triplets , muting with palm, is with high-distortion settings. But now that I've got me a preamp and compressor I want to cut as much distortion as I can and still get that sustain but with clearer punchier attack. I think compressors are supposed to be good for that. The tone I'm shooting for, is a cross between Angus Young and the guys from Meshuggah. Seems contradictory but atleast in my head and to my ears, that sound is there. But my experimentation with compression settings is going poorly.
I originally got the preamp (VTB-1) & compressor (RNC) for vocals, and now am trying these with my Marshall and SM-57 just to see what other flavors I can make. I figure the preamp is transparent enough (I keep the "tube blend" at zero) but I want to compress just a tad 2:1 or so, to tighten things up on the way to my PC recording setup. (would that be a legit tactic?)
But for making sustain with low distortion levels, are we talking about more squashing or more artful use of attack and release? I'm seriously obsessed with this right now.....anyone else have this fever? any obvious thing I'm missing here?
thanks alot

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