E
electricbeats
New member
ß87
When working with jazz singers the mic is a good solution on a live show, it's almost as indestructable as the 57/58s, its polar pattern is nice and easy over almost the frequency range, no stress with monitoring...
If you don't scream the mic is the right thing to go for, if you ar also planning to use it on rock shows be prepared to get a lot of cymbals& hihat thru it.
This has to do withthe only thing I personally don't like, it has a peak round about 6k that tends to add some sharp edge to vocals, I usually take a 2-3 db off, depending on the bell of the channel eq...
When working with jazz singers the mic is a good solution on a live show, it's almost as indestructable as the 57/58s, its polar pattern is nice and easy over almost the frequency range, no stress with monitoring...
If you don't scream the mic is the right thing to go for, if you ar also planning to use it on rock shows be prepared to get a lot of cymbals& hihat thru it.
This has to do withthe only thing I personally don't like, it has a peak round about 6k that tends to add some sharp edge to vocals, I usually take a 2-3 db off, depending on the bell of the channel eq...