Loudness contest!

  • Thread starter Thread starter mshilarious
  • Start date Start date
Dogman said:
Ok, here is my entry. It starts out kinda quiet then builds up. It might have even clipped a little.... :D

Roscoe's Smokin Ride

OK I started at 1:02.658, because that intro part will just kill you. An impressive -8.06dBRMS! Only 74 overs :rolleyes:

Check out this meter, it was so loud it messed up the left channel axis labels:
 
mshilarious said:
OK I started at 1:02.658, because that intro part will just kill you. An impressive -8.06dBRMS! Only 74 overs :rolleyes:

Check out this meter, it was so loud it messed up the left channel axis labels:
Is this good? :D I have a louder mix, but you can barely hear what it is.
 
mshilarious said:
I'll be posting my entry over the weekend, a POS song I did 5 years ago, when I first got a DAW and had no idea how to record :D

OK, boys and girls, here it is, listen and weep. And yes, you will weep, because it is the worst crap you have ever heard. I mean Jesse Michael Garcia would turn up his nose at this:

Wretch!

The embarassing part was while the song is obviously a joke, the recording wasn't supposed to be. Since I'm sure you will all want to replicate (not emulate!) these techniques, I will share what I remember from my session notes, from the days when I was a recording virgin:

The vocals were (no, not me) distorted naturally, by barfing into an SM58 while eating it. Preamps were Peavey RQ200 :rolleyes: , into Yamaha AX44 converters (actually not too shabby for its day). Vocals were harmonized in parts up and down a tritone :D

Guitars were recorded direct into the AX44 (I don't recall if there was an impedance mismatch there, but I think it did have an instrument input), and hideous distortion generated with the DS2416's onboard amp sim, as with all the other effects--harmonizer, reverb (around 70% wet), chorus.

Drums were close-miced using 2 SM94s in A-B configuration, maybe 18" above their cymbals. The snare and kick were miced with SM57s. No, I can't play drums, thank you for noticing!

The too-loud offending guitar part is a 2 1/2 fret harmonic played across all 6 strings, every beat of the song, until the breakdown, when I think I switched to the 4th fret, or maybe 5th. For those who don't know what the 2 1/2 fret harmonic is, it's a minor seventh, except in the perfect intonation scale, so it's rather dissonant ;)

Except for the guitar, gain staging was notoriously poor, so every track would have been normalized after recording :rolleyes:, often with gain in the 18-24dB range :rolleyes: :rolleyes: Thus, there is no distortion from clipping the converter--it's mostly from mixing 0dBFS tracks together :o I could have fixed that, but that would have lowered my RMS ;)

Which, by the way, is -9.07dB. Dogman is still in the lead!


I intend to redeem myself Monday with a competent guitar track on the Piezo Rumble :o
 
Well, that is one sweet tune. I do believe it clips a few times..... :D
 
mshilarious said:
I mean Jesse Michael Garcia would turn up his nose at this...


We REALLY need to stop mentioning his name!

:D
 
mshilarious said:
I mean Jesse Michael Garcia would turn up his nose at this:

And Uncle Teddy would sign it to Mystery Records!!!!!!

;)
 
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