VesuviusJay
Poser Roaster
This may be a question for this forum. OK, I listened to the effects of both phasing and polarity situations on my headphones last night. I think I could tell the polarity issue because it made my head feel funny! :> Anyway, that shot the miking the back of the combo idea. So I tried the put the cab back down and mic from the top idea. This worked great except for one thing. Now at certain lower end notes and chords on the a and e strings, I get that loud bass-y feedback effect if you know what i mean. Like the whole room reverberates at that frequency to double or tripple the volume.
Anyone have a suggestion to cut these out of control bass frequencies or roomity boom booms out of my incoming mix??!
Thanks
Anyone have a suggestion to cut these out of control bass frequencies or roomity boom booms out of my incoming mix??!
Thanks