C
chessrock
Banned
Obviously, the original question pertained strictly to sonics. How does this poison record sound from an engineering / production / mixing standpoint?
The fact that poison were a pretty gay band -- a sad reality that our friend Six would do himself a favor to realize at some point -- is not relevent to the original question posed.
Now on the same path of logic . . . if you really look in to the point Cloneboy was trying to make, you might notice that he did address the question rather directly at some point. And that is simply: If you like it, and you think it sounds great, then yes, it is a good production/mixing job from your perspective, and yes it is something you should strive for.
I don't know how much plainer it can get than that. If your goal is to make mixes that you like and are happy with . . . then your benchmark should be recordings/mixes that you like.
And if you like gay, girlie bands like poison and think their mixes are da bomb . . . then there ya go.
The fact that poison were a pretty gay band -- a sad reality that our friend Six would do himself a favor to realize at some point -- is not relevent to the original question posed.
Now on the same path of logic . . . if you really look in to the point Cloneboy was trying to make, you might notice that he did address the question rather directly at some point. And that is simply: If you like it, and you think it sounds great, then yes, it is a good production/mixing job from your perspective, and yes it is something you should strive for.
I don't know how much plainer it can get than that. If your goal is to make mixes that you like and are happy with . . . then your benchmark should be recordings/mixes that you like.
