When I first started recording, I couldn't see why I couldn't have authentic keyboards at least and this was before I'd ever heard of samples. I ended up with a double bass, cello, guitars, drums, a clavinet, a piano and other things in my tiny flat. And I proudly added a Fender Rhodes electric piano and a Hammond organ. I actually had two Hammonds. The first one was one I'd seen in an ad in Exchange and Mart. The details were kind of scanty but in 1993, I was so excited that I didn't care. I went out into the countryside and it was the house of some old couple. When the guy plugged it in and showed me it, it wasn't really the sound I wanted. Up to that point, I'd never had a satisfactory organ sound, hence going for the Hammond. I bought it in the end as it was late at night and I figured I'd be able to tweak it to taste. And you know, I never could. And I'm sure that it was the same as that Hammond in the first picture. I hated the sound. I sold it after about four months. But in between, I bought another Hammond and this one was the real deal. It was my baby for the next 8 years and I loved it. One of the things I loved doing to get a particular sound was holding down the note or chord with it switched off. Then I'd turn it on and it would give this ghostly whine. It was marvelous ! The Leslie cabinet was a groove too ! You could actually see something inside it spinning. I sold it when my wife got pregnant but I still have the music, the memories.......and the seat !!