I'm never really satisfied, but I'm at the point where I pretty much have to record the current project with the gear I have, and I have enough gear to do it. I set out to bypass everything that
a Roland VS1824CD does *except* be a 24 bit, 96 khz recorder, and I've pretty well done that. The 13 basic tracks are done. There will be one more, a live studio track, done at the rough mixdown and final punch-in session Labor Day weekend. We start tracking drums/percussion and bass April 17th, vocal overdubs in May, lead guitar/viola/recorder/mandolin in June, then the drummer comes back for additional accent percussion in July. It should go to the mixing engineer in Septmber, then mastering, production, and hopefully a Christmas release party.
Outboard- POD Pro, DBX386,
Joemeek twinQ,
Avalon AD2022, RNC, TC Electronics M300, Carver PM125 power amp (feeds Marshall cab from POD), Rolls HA62 headphone amp.
Mics- B.L.U.E. Kiwi, Rode NTK, AKG D112, C414B-ULS, C2000B, D690 (X2). Oktava MC012 (matched pair), MK319. Shure SM82, SM7B, SM57 (X2). Studio Projects B1, C3.
Sennheiser HD240 Pro headphones (X3), M Audio SP5B monitors.
Main guitars- SG Supreme w/ Seymour Duncans w/ coil taps, Taylor 710CE, Epiphone Selena signature classical.
I went light on the monitor chain, because we're outsourcing the mixing, and I had to cut costs somewhere. Well, that's pretty much every penny I could spare, leaving enough for flying overdub staff around, engineering consulting, legal, mixing, mastering, and production. Woo Hoo, after 30 years I'm really making a full blown studio album!
There's a shit load of stuff I want, but after the current project is finished, I'll probably upgrade to a better recorder, say Alesis HD24-Richie