wfaraoni: Thanks for checking it out. The acoustic guits were double tracked; most of the other guits and backing vocs were done with 5 tracks each: hard left, 30-50% L, dead center, 30-50% R, and hard right. I would submix to a stereo pair so I didn't have to deal with a bazillion tracks while mixing. So, for a 2-part harmony I'd cut 10 tracks... sounds harder to do than it turned out to be in reality. As a side-effect, variances in the individual takes gave it some movement on its own without any extra work. I don't normally track like that, but as an experiment it seems to have worked out pretty well for stereo spread.
Kramer: "homerecording.com elders"?! lmao Thanks for the bump.
fender: Thanks, man... and I'm not a perfectionist! I'm just, like, picky and stuff. Yeah, that's it.