Let's not forget the importance of a nice speaker in the signal chain, I'd argue thats 20% of your tone right there. And use a ribbon with a tube pre, that'd bring out the "fat" that you're looking for.
Good Point. In addition to that, one of the most important things you need for crunch is the right sounding guitar pickup to get what you want.
For me its all about the P90/Soapbar crunch. Those will get you a crunch even with modling. No, not as good as a real tube amp, but you will get crunch with P90's. Big, Bright, Fat tone.
Good Point. In addition to that, one of the most important things you need for crunch is the right sounding guitar pickup to get what you want.
For me its all about the P90/Soapbar crunch. Those will get you a crunch even with modling. No, not as good as a real tube amp, but you will get crunch with P90's. Big, Bright, Fat tone.
Here's another little sound clip I whipped up. It's a more mellow song and has a clean guitar and an overdrive lead guitar. The lead guitar comes in about 30 seconds into the sound clip.
This isn't a very complicated song, I made it more for demonstration purposes.
I record exlusively with modelers - a Vox AD30VT and Amplitube 2. For lead solos I usually mic up my AD30VT with a Studio Projects C1 and crank it to really push the 12AX7 in there For clean and crunchy sounds I usually use Amplitube 2 and am very pleased with the results - GOODLAND just proved to you what you can do with it. I've also had good results by using Voxengo Tube Amp(usually when I record with the AD30VT) as it warms whatever you have recorded up nicely. Whilst I agree there is no substitute for a mic'd amp, I think there are endless possibilities with modelers
I've also had good results by using Voxengo Tube Amp(usually when I record with the AD30VT) as it warms whatever you have recorded up nicely. Whilst I agree there is no substitute for a mic'd amp, I think there are endless possibilities with modelers