
vicenzajay
Member
Got it...
I was using the wrong terminology....you are correct, of course. What I was trying to say was that with BOTH maxed out, I really did not have that hot of a signal at all. The 75% up got me to a point where I recorded well; however, the additional 25% didn't buy much more at all. This is with the input gain completely up. Bottom line is that I don't have this problem with either the N72, the FF preamps (straight DI input), the Onyx preamps (straight DI input), the A&H preamps or the low end ART/Presonus preamps I have....so your statement:
"The pre itself has quite a lot of headroom if you're using proper levels" might be true for your unit - but not for mine with the DI input. There is simply not as much "juice" available for recording levels. Mind you, I had no issues with the normal mic input headroom - so I'm not being "negative" about the preamp itself...something is not, however, "right in Denmark" with the DI input on the unit. Thus my questions.
Also - still looking for input regarding the line/mic switch and its interplay with the DI input. It just doesn't make sense that it should have anything at all to do with whether or not the DI input will pass signal through the unit - yet the DI input is only active when "line" is selected. Very strange.
Jay
You will loose headroom when you turn down the output like you did.
If you want max headroom (lol I just had a flashback of a the dude from the 80's)![]()
OK , where was I? Ah yes max headroom, turn the output all the way up and turn the gain down.
Think of the "output" knob as a passive fader. It will allow you to crank the input for more saturation if you need it. But at the expense of higher noise, possible clipping, low output, etc. Kind of like a guitar amps "gain" and "master" knobs.
Generally, leave the output all the way up unless you want to use the pre as an effect.
Now, if after doing that you still have issues, you might have to use a direct box, or if you have low impedance high output pickups, try the line input or an external DI. The pre itself has quite a lot of headroom if you're using proper levels. Active pickups may be too high of an input level for the DI to handle. There is a difference between gain staging and headroom.
I was using the wrong terminology....you are correct, of course. What I was trying to say was that with BOTH maxed out, I really did not have that hot of a signal at all. The 75% up got me to a point where I recorded well; however, the additional 25% didn't buy much more at all. This is with the input gain completely up. Bottom line is that I don't have this problem with either the N72, the FF preamps (straight DI input), the Onyx preamps (straight DI input), the A&H preamps or the low end ART/Presonus preamps I have....so your statement:
"The pre itself has quite a lot of headroom if you're using proper levels" might be true for your unit - but not for mine with the DI input. There is simply not as much "juice" available for recording levels. Mind you, I had no issues with the normal mic input headroom - so I'm not being "negative" about the preamp itself...something is not, however, "right in Denmark" with the DI input on the unit. Thus my questions.
Also - still looking for input regarding the line/mic switch and its interplay with the DI input. It just doesn't make sense that it should have anything at all to do with whether or not the DI input will pass signal through the unit - yet the DI input is only active when "line" is selected. Very strange.
Jay