Jeez... who first? Sam or Tom??? Coin flip?
Damn straight... mix... the "heavy hitters" they are... where have they been???

Thank god you guys finally got here.
It's a wide open thing... clean... spacious... ride cymbal getting lost... excellent, emotional lead playing... the strange, cyber-frog stuff ear-to-ear very very .... yeah...
that word... pick one ... that rhymes with "mule"
Listen #2: Close encounters spaceship comes down, and lands on Sam's ... Roland... it widens out to cover the surface of earth... there are the robotic frogs... signature sam-leads... that snare's in a weird place, eh? Up high, and to the right... but it's working...
Notice you're using triplets and grace notes in your solos... they ARE getting more complex now
Listen #3: Trying to pick out mix problems... but it's mostly a synth bed... nice bass sounds, BTW... superlow... like those cool jeans the young chicks are wearing now.. yeah, that's right... ass-show-ers.
Geez... nothing is sticking out as a major mix problem, here. It's pretty clean... all it lacks is your voice... and about 20 more listens to digest it more... once it's in my veins it -- you know, that's it.
All your songs have that in common. No matter how many tracks... no matter what instrument you use... they're all contigious, alive, and they make sense ... together. They're not musical "lies"... they exist because they're real, they're alive-sounding, and because you wrote them. Says something about you, man. Your music says you're one honest SOB.
Broken record-- but, thanks for being here, 'micide.
C