
distortedrumble
all up in yo grill!
i'm curious to know how much does it sound like the sm-57 seeing as how i have a behringer mixer...it should fit right in but I dont know. anyone heard it?
PhilGood said:I bought 6 of them for my drums and love them. Use them on toms with great results. Also used on a guitar cab. Very nice! The output is a little hotter than a 57 and some say the low end is a little different than an sm57. I myself don't hear any difference in the low end.
TamaSabian said:Those clips you posted were tracked with them???. I mean snare and toms. I remember how good your drums sounded but I can recall the mic setup.
TS
PhilGood said:Those tracks were done with MXL63s as overheads, Superlux FK-2 on kick (with homebuilt speakermic added), Superlux ECO-H6A on snare and GLS ES-57s on toms. I've used the ES-57 on snare and it sounds really good. I just like the ECO-H6A because its a side address condenser and I can position it between my snare and toms on its side and its easlily out of the way and protected.
No EQ on the toms BTW.
TamaSabian said:I´m seriously thinking about GLS....Is Ebay the only place where you can find them??. How much did you pay?.
PhilGood said:
Sorry, these are old and I keep posting them. We're rewiring our little garage studio and I'll have newer, stronger, faster clips soon.
Phil
Drummer4Life05 said:Wowsers, easy on the compressor there.
The mics sound pretty good, but the tracks breate like me after I've ran 3 miles!
cjacek said:Ok, these sound similar to the 57, based on some A/B'ing by you guys, but how are these GLS mics built ? Do they have the same quality constructionc as the Shure's ?
Thanks,
Daniel