Getting Stereo Separation

  • Thread starter Thread starter Hibernatus
  • Start date Start date
Why the hell would anyone do that "copy and shift" "method" when all it does is mess with your sound, make it all fuzzy and unfocused and just plain turn it into more of the shit than it already was?
For the same reason that "studio monitors are 'flat'", that "mo' louda is mo' betta", "85dBSPL is the ideal monitoring level when mixing", "mastering is all about fixing the mix" and all those other widely-believed untruths. Because that's what The Great Unwashed paste all over the Internet.

:rolleyes:

G.
 
There is nothing wrong with the guitar tone. You've got a compressor just beating the crap out of the mix, but the tone is decent for what you are doing.

Are you saying my mastering skills are sub par? Lol, I'm still trying to figure out the whole compressor thing. Take it down a notch?
 
Are you saying my mastering skills are sub par? Lol, I'm still trying to figure out the whole compressor thing. Take it down a notch?
When you are trying to showcase a guitar tone, don't bother with the drums and compressors. (Was there any bass? There was no real low end to the mix)
 
When you are trying to showcase a guitar tone, don't bother with the drums and compressors. (Was there any bass? There was no real low end to the mix)

There was some vst bass I threw on quickly. Here's a version of just the rhythm. There's some clicking that will go once I record properly.

 
Your tone is not bad at all. How much more separation do you need than hard left and right?
 
Your tone is not bad at all. How much more separation do you need than hard left and right?

Thanks, yeah panning pretty much does it then. This was recorded DI, gonna get sm57 soon to experiment with miking.
And you're right, stereo enhancer did make a phasey mess.
 
I didn't think 85 was that loud, I thought it was fairly quiet.
These unenforced standards are a little more strick than OSHA's but it gives you a good idea. Lots of docs don't think these are strick enough. What you need to be careful of too is the length of time you are exposed. Mix at lower levels and then just turn it up a short while to check how it sounds louder. Ringing ears is a bitch!
LEVEL EPA MAX TIME
> 97 dB SPL NONE
97 dB SPL 3 minutes
94 dB SPL 6 minutes
91 dB SPL 11 minutes 15 seconds
88 dB SPL 22 minutes 30 seconds
85 dB SPL 45 minutes
82 dB SPL 1 hour 30 minutes
79 dB SPL 3 hours
76 dB SPL 6 hours
73 dB SPL 12 hours
70 dB SPL 24 hours (continuous
 
Wait, I thought 85 db for monitoring was a good thing?
It's great to use constantly if you want your bass mix to sound lacking or if you want to build up the potential for possible long-term hearing loss. Nothing wrong with checking mixes at 85dB or doing part of your job at that level, but it's not something that most pro engineers do for very long and there's certainly nothing magic about that volume like the Big Myth leads one to believe.

http://www.independentrecording.net/irn/columns/gstep/index.php?id=84

G.
 
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