miroslav
Cosmic Cowboy
You gotta have something to say before opening mouth.
Can you please explain that to kcearl.

You gotta have something to say before opening mouth.


Loops repeat, phrases don't, that would be the difference.
Put on most dance songs and it's 8 bar phrases, not 8 bar loops.
The first sequence setup I had was a Sequentials Circuits setup in 1983. It was all loops and it was a good learning tool.
Songs are based on the pacing of the sex act. Phrases build to an orgasm, loops are like having sex on cocaine... thus the OP's frustration.


skimmed through this thread, and I see a lot of the same thing.
Why do some many people act as mucial elitists because they know more than someone else? Really the post that got me was Rambones.
Believe me, I know a great deal of theory and technique - I teach piano -
But I am definitely not going to talk down to someone because of it. Why should they have the need to "Understand music theory" if they can make something unique without it.
Many people can grasp concepts without learning what it's called, or how it relates to another concept. Put anyone with at least a little music experience infront of a piano, and they'll be able to play you a major scale ; but it doesn't mean they understand what they're playing.
What's important is what someone can do creatively, and not how much schooling or studying they have done.
Probably should've stayed out of this one - but I really disagree with the way some of you are talking. Not to mention it's really putting the OP down, rather then helping guide him/her in the right direction.
the OP says he's in a creative rut. I suggested that he should probably branch out and gain more knowledge because more knowledge never hurts. Music theory can help the songwriter try different routes to get to where they want to go, instead of aimlessly sitting a computer clicking buttons trying to come up with a tiny 4-bar loop. The hardest thing to do as a songwriter is to TRY to write music. Some of my best stuff comes to me when i'm doing something else. For example, when I go out jogging, I always take a tiny digital recorder with me in case something gets looped in my head.
You'd be surprised at how valuable it's been to me.
My suggestion to the OP (aside from music theory) is to make the process more organic and less demanding. Step away from the computer and imagine beats in your head.
The one thing that annoys me with the current thinking among many "musicians" is that they can should "write" songs like that. I've run into so many of them where I'm from. They usually have very little actual talent but they still pump out a lot of material through Garageband and the like (usually boring derivative nonsense). Some of them can't even tune a guitar properly, let alone understand the difference between B flat and C sharp. It's sad, actually.






You gotta have something to say before opening mouth. Or picking up guitar, turning on drum machine, etc.

yeah, you're quite the motivator
Can we hear your non boring derivative nonsense?
Cheers guys. Think I found out what needs to be done with my future projects. Need to learn quite a bit more before I dive straight into cubase and think I can make a track. Song structure and music theory is high on the list.![]()
What's with the smartass attitude? I'm trying to help out the guy/girl. What are you doing???
<==== extra smartassAlso.....I have plenty of material that's already recorded but everything is on separate tracks on a couple of digital recorders (i have a thread on here). I'm currently in the process of buying a MTR and a few other things so I can work out some of the kinks and upload my music to myspace.
My quote about "boring derivative nonsense" was directly speaking to the talentless people who have no idea what they're doing and yet they think that they're musicians because they have a laptop with garageband. Myspace is FLOODED with these people. That being said....I'm not throwing the OP into that category because i don't know him/her enough to make that judgment.
This just may be the crux of the matter. You gotta have something to say before opening mouth. Or picking up guitar, turning on drum machine, etc.
I know if I just pick up my guitar and start playing, it quickly degenerates into the same old, same old. Not that I've got anything against House of the Rising Sun, or a Stand By Me progression in C, but I've got to work damn hard to come up with something new.
}.what am I doing where?
Im not blethering on about the sad state of affairs in the music world...like not being able to tune a guitar...man the death of music<==== extra smartass
great, stick it up in the mp3 clinic when you're done, great bunch of musicians in there...but myspace? 96kbps??
everything sounds shit on myspace.
a laptop and garageband is a great place to start...maybe some get better, maybe some dont
I'll let you decide who is and who isnt a musician..Im definitely not good enough, or presumptuous enough to
It's my opinion. Some will agree, some will not.
I used Myspace as an example because it's very easy to network and give my music exposure on there.
I'm not dissing Garageband on its own. I'm talking about people who act like they're talented simply because they can edit samples with it. I'm only speaking from experience as I've tried collaborating with many of them in the past. Some people are talented but they'd be just as talented with a 4-track, acoustic guitar and a drum machine. Give the poseurs a 4-track, acoustic guitar and a drum machine and they'd be lost. Like I said...music and the arts lends itself to many different viewpoints. This happens to be mine.