L
Luc Gabriel
New member
Here's my submission. Would love to hear feedback. Thanks!
Good job. You used mixbuss compression ?
Here's my submission. Would love to hear feedback. Thanks!
The vocals ARE clipping. In the loud parts they compress quite a bit. Even keeping the vox well under -20dB they are still clipped. It's nothing I or anyone else is doing, it's the proximity to the mic.
Hello.
I'm new here and this is my mix for contest:
soundcloud.com/leszekjakubczak/oh-baby-liza-colby
I really enjoy making this. Great contest - it would be great to here same words from you guys and after ending same words from jury (it's gonna be difficult, I know).
Good luck everyone.
Thank You Dave. Your mix is very good also. On your mix the guitar is right panned till 0.26, then it goes back to center, is this how it's suppose to be ?. My mixbuss is empty, trust me that may hands are itching to insert something in there but Fab says that they will normalize the levels and I want the best possible dynamics I can provide in this respect.
Yup, there is definitely some overdriving of the mic happening - listen to an old Joe Cocker record ("The Letter" for example) and you'll hear the same sound.
It's part of what I love about those old tracks...It's the sound of rock'n'roll, dude! Amps on the edge of meltdown, speakers breakin' up...Dirt and and sweat - It ain't always pretty, but it sure does rock - deal with it!
Hi, I just mix this song and it strucks me that some tracks have a strong/resonating treble range wich is very sawing and cutting into my ears. Particularly noticeable is this at the voice and at the drums. If I'm taking off the sawing and cutting treble range with the EQ, then the mix is too dull for me. What can I do to solve this problem?![]()
Dude. How old do you think I am? I know what tape saturation sounds like. It's nothing like a mic bottoming out, which this is. The problem I have with it is that(although it has been stated otherwise) it seems to me that the mic definitely has a bit of a hyped top end. As another poster put it, its "cutting". Painful to listen to for an extended period of time.
At any rate, I'm accepting it. I don't like it but I've accepted it. I just thought I'd bring it up as an issue to see if anyone has a way of dealing with it.
However, I agree that there definitely are some rogue resonances in the high mids that jump out. ... A lot are using multi-band compression, or frequency-specific compression of some kind to deal with that.
Then there is always the "if it's already distorted, then distort it some more" approach - perhaps tape-style saturation is the answer?
It's cool mate, I wasn't trying to pick a fight or anything - just expressing my personal view of obstacles like this...I have no idea how old you are, & my comment was certainly not meant to belittle or be condescending... Age is totally beside the point...I wasn't talking about tape saturation, I was talking about a mic overloading, which is the sound you hear on a lot of old recordings with powerful, dynamic singers and tube condenser mics.
However, I agree that there definitely are some rogue resonances in the high mids that jump out. Whether that is the mics fault, the singers voice, or a combination of both, I'm not sure. A lot are using multi-band compression, or frequency-specific compression of some kind to deal with that.
Then there is always the "if it's already distorted, then distort it some more" approach - perhaps tape-style saturation is the answer?
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