Feck It

  • Thread starter Thread starter jedblue
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jedblue

jedblue

beep beep beep beep beep
I've been mucking around with this for weeks. I've finally decided I don't have the pipes, chops or songsmithing to pull this kind of thing off.

Trailer Park Angel

Fuck it, it's only noodling around in the attic on some digital portastudios. Move on.
 
You're close in a lot of ways to having a good piece of work. Don't get discouraged and underestimate your skills.

I'd like to suggest a few first considerations to improving your smithing and recording.

The recording has good sounds. Be aware of the evenness left and right: the piano R has a lot of power, unbalanced on the left...most of the time, for example.

Don't be unaware of the benefit of silencing some parts sometimes...like in early verses. Otherwise the texture is kinda thick all the time. The first verse might sound better with just the acoustic, for example. Adding keys later will build things, and give a less flat 'landscape'.

The acoustic is really thin, maybe flanged[?]....sort of "America" namby pamby. More guts...mids and bass, and a percussive chunking attack....might be nice.

The piano chording is boringly regular. Cut loose! Improvise a bit. Make ear candy. Use different rythms and voicings. Adds interest.

The organ left needs to have the rotation chorus effect shut off after introducing new sections...and used only for upticks in dynamics. What happens to the percussion when it's on??? Listen to some pop records for the best way to use the 'leslie'. A great sound for a tune like this would be percussive hammond and a slow rotation...like "Whiter Shades of Pale" or something. Smokier. As recorded, during fast rotation, it's thick, unchanging, and sounds like a cheep Lowry church organ. I'd suggest killing the organ and piano during the verses, at least.

The major 7 chord.....avoid it. Or use it a lot more sparingly. I think the tune would sound nicer with triads...kinda 'Neil'. The maj7 saps energy and urgence from a progression. The tune is a tribute to a gem in a mudslide....passion, and all that, is kinda sucked out by the maj7 all the time.

The bass notes under the chords never visit the root of the chords sometimes...and that makes the weak maj7 chords even weaker. You play
3rds in the verses. Way soft, weak...and tonally confusing.

Listen...you sing better than Neil Young. And your tune is not far off from some of his popular work. The recorded sounds are good. I think what the project lacks is a dose of confidence in yourself. You have skills to be cocky about. Attitude will transfer into the recordings. Get jiggy. Unchain yourself.

Good stuff. Keep going. And keep posting.
 
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I've finally decided I don't have the pipes, chops or songsmithing to pull this kind of thing off.
Wtf are you talking about? I mean I don't know what you'd do with pipes or chops but don't make something like this and then say "I can't do this". This one of the best things I've heard on this forum man. I agree that the piano can be more inventive, and the acoustic strum could use a little body. Maybe a bit more bass overall. But that's about it. 2:48 silence and restart is really beautiful. Harmonica is a bit loud (definitely the final G is). Parts of it remind me of Mercury Rev, a lot. "I can't pull this kind of thing off", you're joking, right?
 
I think the individual parts are a bit disjointed in the mix, but a little tweaking of the volume, and L+R placement, and you've got a money track here. Good tune, good recording quality.

I wish I had your "lack" of talent. ;)
 
I thank you all for your valuable suggestions and kind words of encouragement.

:)
 
Marc Hunter and Dragon at the beginning but I agree that it becomes too America at the chorus. The harmonies are great so maybe it is the flanger along with the downward thing with 'girl' at chorus end.

Cooool song in many ways.

Do you do all the instruments like as in Ding a ling a dang a ding dang a ding a long?
Your mix is very good.
 
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Cool...I always enjoy your recordings man. Love the vocals on this...very earnest sounding.

Mix is kind of disjointed for me with the piano standing out a bit too much all by itself out there to one side.

I like the soft-ish percussion track on this & the harmonica was a nice addition. I dunno...it's kinda quirky, but I really liked it.
 
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