eq before or after?

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FALKEN

FALKEN

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yo I know this is sort of silly question but I might invest in a mixing console that does not have direct outs (it does have inserts tho). meaning that I would have to add all eq after tape (or pc, depending) on playback. I realize there is probably not so much difference, but I would imagine the eq would work better on a fresh signal than a taped one. thoughts???
 
There are pluses and minuses both ways, but the nice thing about recording a totally dry source is that you can soak it however you want after the fact, and if you wind up not liking it, you can always go back to the original and start over.

Conversely, if you EQ or wetten in any other way before it hits the record heads, you're stuck with that sound as a source no matter what, unless you go back and re-record.

G.
 
agreed. but supposing you got it right the first time, I think it might sound better if you did it at the source... maybe it doesn't matter at all.
 
FALKEN said:
agreed. but supposing you got it right the first time, I think it might sound better if you did it at the source... maybe it doesn't matter at all.
Perhaps that is true in at least some respects:

First, if you're talking about the difference ebtween using outboard processing gear to wet the source vs. plug-ins to process the recordings, I'd personally prefer most outboard gear to most plugins in audio quality. There are exceptions, of course, but for me most of the best plugins are the ones you gotta pay signifigant bucks for anyway.

Second, if you do use outboard vs. plugin for processing already recorded tracks, there's always the factor of whenever you gotta go out of the DAW to outboard analog gear and back in again to process an already recorded signal, you have to add at least one pair of A<-->D conversion stages to the total signal path, wich will add somewhat to the total overall distortion.

So in both of the above arguments, there is the implication that it may be better to just add the EQ on the way into the recording and be done with it. But -- and this is a Big But -- you'd better get it right the first time, or else you're stuck with havingt to re-record the track to fix it 'properly".

If you're confident that you'll get it right the first time, then by all means, go ahead and do it. Personally (and others may honestly disagree), though, I'd rather have a clean, dry canvas to work from for those times it is "not right". I will of course try to use proper miking technique and such to get the best signal I can in planning for the mix, but I'd rather leave manual processing of the source recording to a minimum.

Others may have a different viewpoint, and that's OK. if so, we both should hear their points of view as well.

Does any of this make sense or am I just rambling? :p

G.
 
yeah it makes sense. the only reason I was thinking is that the source coming in is more 'pure' and more '3d' then it is coming out of tape so the eq would probably work better.

anybody else have any thoughts? Im already getting second thoughts about the board...its a cheapie and i am thinking i might just go for a real one.
 
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