T
thinbrownline
New member
Hi folks
RANT MODE ON:
On behalf of those people who are buying used tape for their studios, my heart sinks when I see tape described as being "One Pass" or "Single Pass", and I hope the folks buying it are doing so with their eyes open.
To me, One Pass Tape has a very simple and narrow definition. It is also quite rare. A brand new reel is mounted on a machine. It is recorded on. Once. Maybe it was wound back, although there is no good reason to do so. Then it was put into storage. Then, years later, it is bulk erased and offered for sale. As true One Pass Tape.
How would this happen? I can think of a couple of situations only, somewhat related to each other:
1. It is a safety copy of a master reel, either a mixdown or a multitrack.
2. It is a live concert recording, where the artist deemed the performance unworthy of further listening.
That's it.
Have I ever seen One Pass Tape? Yes. Years ago when I was a young man in England with a little demo studio, I bought some tape from Decca Studios in London. They were selling quarter inch Scotch 206 from their vaults, all safety copies of masters that were no longer valuable. No edits, no nothing. They had never been played. One pound sterling per NAB reel.
That was good stuff!!!
Now, if any of you have seen the Classic Albums documentary of the making of Fleetwood Mac's Rumours, heard Trevor Horn talking about the Video Killed the Radio Stars sessions, or read Geoff Emerick's book when he talks about the Band on the Run sessions, all describing tape you could almost see through, you might wince if you were offered bulk erased reels from any of those sessions.
Unless you were going to frame them of course...
RANT MODE OFF
I open this up for comments!
Cheers
David Ollard
Thin Brown Line
www.thinbrownline.com
Multitrack Analog to Digital Transfers
RANT MODE ON:
On behalf of those people who are buying used tape for their studios, my heart sinks when I see tape described as being "One Pass" or "Single Pass", and I hope the folks buying it are doing so with their eyes open.
To me, One Pass Tape has a very simple and narrow definition. It is also quite rare. A brand new reel is mounted on a machine. It is recorded on. Once. Maybe it was wound back, although there is no good reason to do so. Then it was put into storage. Then, years later, it is bulk erased and offered for sale. As true One Pass Tape.
How would this happen? I can think of a couple of situations only, somewhat related to each other:
1. It is a safety copy of a master reel, either a mixdown or a multitrack.
2. It is a live concert recording, where the artist deemed the performance unworthy of further listening.
That's it.
Have I ever seen One Pass Tape? Yes. Years ago when I was a young man in England with a little demo studio, I bought some tape from Decca Studios in London. They were selling quarter inch Scotch 206 from their vaults, all safety copies of masters that were no longer valuable. No edits, no nothing. They had never been played. One pound sterling per NAB reel.
That was good stuff!!!
Now, if any of you have seen the Classic Albums documentary of the making of Fleetwood Mac's Rumours, heard Trevor Horn talking about the Video Killed the Radio Stars sessions, or read Geoff Emerick's book when he talks about the Band on the Run sessions, all describing tape you could almost see through, you might wince if you were offered bulk erased reels from any of those sessions.
Unless you were going to frame them of course...
RANT MODE OFF
I open this up for comments!
Cheers
David Ollard
Thin Brown Line
www.thinbrownline.com
Multitrack Analog to Digital Transfers
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