That's a very different set of microphones!
Just pure opining here, since I don't do voiceovers... Short answer, I'd probably get a good LDC. The Mojave is the only one of those in your list! The rest here is just rambling...
But, you really need to try mics to decide what best suits your voice, and, for me, that means one that requires the least amount of fiddling. So, if there's sibilance or other qualities you find yourself spending time on (did I hear a de-esser in there?), find a mic that (e.g.) does *not* have that [somewhat popular] presence hump in its response curve right where your sibilance is most likely to pop out.
I would not expect a long shotgun to be a primary mic for voiceover. I have seen that page with voiceover artists where it's listed, but, really, it's a puzzle, unless you are working where the mic must be at a distance, e.g., out of video frame, it just seems like a bundle of money for a more single-purpose kind of mic, though admittedly, a kind of "gold standard" in some applications.
What is your space like? I only listened to the recordings on a set of old Sony headphones, but there's something about a closed-in space there.
A LDC will be more likely to pick up unwanted ambience, though a bit here and there is easy to process out these days with something like RX. But, it does require a better space than a dynamic. If you're in a radio booth kind of environment, then the EV is likely going to be a better fit, though may not capture vocal nuance if you really get into different voices.