Recently..this was my setup. Nothing compressed more than to catch the odd peak transient on the way in (like hitting a mic, or the odd snare roll buildup when thr drummer isn't great at controlling dynamics)
Most of the sound of the drums came from the O/Hs and the room mic. The close mics (especially the snare) acted as a verb trigger more often than not during mixing.
I didn't include any mixing techniques as they were not directly requested for.
Hope this helps:
O/Hs - AT4041's ->RNP ->RNC->DAW
For Monitoring during Tracking: panned 100 L/R drummers perspective
For Mixing : panned never more than 75 L/R (and rarely that) audience perspective
Kick1 - D112 ->MA Octane ->DAW
Not sent to drummer for monitoring during tracking.
Panned center for Mixing
Kick2 - 421 ->MA Ocatane ->DAW
Panned Center for mixing and tracking
Kick3 - NS10 ->MA Octane ->RNC ->DAW
Center for mixing
SnareTop - SM57 ->RNP->RNC ->DAW
Tracking: panned center (bussed with mic2) , sent to
Alesis MidiVerb4 snare plate
Mixing: panned center, blended with mic2
SnareBottom - SM57->Digi002->DAW
*Phased reversed*
Tracking: bussed Snare 1 and 2 to 1 track, blended + Alesis Verb
Mixing: panned center, blended with mic 1
Room - Apex460(m) ->MA Octane->DAW
Tracking and Mixing: Panned center
RTom - e609->MA Octane->DAW
Tracking: Not monitored
Mxing: Panned 34 R
FTom -e609->MA Octane->DAW
Tracking: not monitored
Mixing: panned 48 L
-LIMiT