The original reason was to keep the vocal level in the 'sweet spot' on the tape. And because, in the old days, you used to only have so many compressors so you would have to compress some stuff on the way in so that you would have compressors available to compress other stuff during mixdown.
I was looking into preamps and compressors do they make something that has all of that in one with phantom power?
If so any good ones for a decent price?
I was looking into preamps and compressors do they make something that has all of that in one with phantom power?
If so any good ones for a decent price?
I was looking into preamps and compressors do they make something that has all of that in one with phantom power?
If so any good ones for a decent price?
In order for it to be a step up from the preamps in the m-box, you will have to spend some money. A decent channel strip will cost $700-$800 on the low side. And, you will still be funneling it through the m-box anyway.
I don't compress going in. I'll know more and have better gear 5 yrs from now and I may want to go back and re-process stuff I tracked in the past. If I already owned my ultimate dream compressor collection, I might think differently. But I'm still saving for a Distressor and that pair of vintage LA2As.
If you record at 24 bits you've got no reason to have problems controlling levels.
I never compress going in but, I realize that if I start recording other people's vocals it will be a tool I will have to have. I have a hardware compressor, just not one good enough for voc's in my oppinion.