That's actually the exact reason I didn't get the Tascam. Glad to hear it worked out for you! But it's just way to big for my tiny closet of an apartment. In order to stay under budget, I'm thinking of getting any of the following second-hand to stay under a $300 budget: 2i4, saffire pro 14, apogee duet, tc electronic impact twin, edirol ua-25ex.
I was actually thinking of an audiobox, as I'm mainly looking for a low-latency interface with mix control and decent preamps, but what you and others have said about the popping is turning me off.
The tascam looks like exactly what I need, but that darn thing is just too big for me! Either way, great job on the buy and good luck
It ended up sliding perfectly under a bunch of things on the desk, so in my case the size isn't much of a factor. I also have limited space since my computer room/recording space is shared with the GF.
Funny, the NI KA6 was my first choice, but went with the 1800 because it was rack mount. Only complaint with the 1800 is lack of master volume...that would make it perfect. I've noticed the mike pres are a lot different color than my M-Audio Firewire was. My vocals have a lot more mid (which isn't very flattering) and I have to do some EQ tweaking.
Funny, the NI KA6 was my first choice, but went with the 1800 because it was rack mount. Only complaint with the 1800 is lack of master volume...that would make it perfect. I've noticed the mike pres are a lot different color than my M-Audio Firewire was. My vocals have a lot more mid (which isn't very flattering) and I have to do some EQ tweaking.
Even an free standing 18/18 or better with ears to make it rack mountable. A two space unit with that fabulous big knob would make me sell my 1800 in a heartbeat. Seriously. KA18??? Please ????
You mentioned 'mix control'. Please describe what you mean by that.
Just read this and realized I never responded. By mix control I meant a knob for varying between source audio and the audio output from the DAW (either blending the 2 or picking one or the other). Basically a way to eliminate or decrease latency issues that might occur while monitoring
Just read this and realized I never responded. By mix control I meant a knob for varying between source audio and the audio output from the DAW (either blending the 2 or picking one or the other). Basically a way to eliminate or decrease latency issues that might occur while monitoring
This was not so possible with the Lexicon Alpha and programmed drums when I first started. Though then I was using an off the shelf $450 Dell.
Yeah, I'm like a kid in a candy store at Micro Center. Good thing it is 40 minutes across town.
Good thing the closest one is almost 2 hours away in Yonkers. I used to visit Boston regularly, half to visit friends, half for my annual Microcenter pilgrimage.
Now I ended up going all lame not doing a custom build (although I've swapped cooler, PSU, and hard drives) and ended up with an Asus tower from Best Buy. Been good for me thus far.
Gotcha. That is something I never really had a problem with myself or had to use (direct monitoring).
Much of that need has to do with the latency of the interface but also the computer itself. I always monitor directly from Cubase.
With my i7 W7 build I was able to record vocal tracks on a full mix (50+audio tracks/usually one or two VSTi's a couple IR verbs, delays and tons of comps and eq's) with around 12ms of latency with the US1800 (lowest latency/buffer setting). Not the greatest but no dropouts. Some projects with more VSTi's I would just have to shut down the verbs or freeze a couple synths to make it work smooth.
I'm around 6ms now with the UR824's buffer at 96 samples on same size of project. Less than 50% use on the Cubase VST Performance meter.
This was not so possible with the Lexicon Alpha and programmed drums when I first started. Though then I was using an off the shelf $450 Dell.