best preamp under 1k (great river? tla?)

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Jaguar

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what do you think is the best preamp under 1k ???

im thinking abt great river or tla ivory 5051 (or 5050=same preamp), which one of this two you think is better ?

thanxs in advance
 
I don't know the TLA..But the Great River is a very nice pre!Vocals,elec.guitars,snare drum/kick drum and bass guitar {DI} its one of the first preamps I go to in my humble rack,dammit I need more of 'em LOL..I record mostly Kinks/Beatles type garage bands,for perspective..Truly one of the no brainers.IMHO



Don
 
Best mic pre? Can't give you an answer there...

Maybe be able to give some suggestions on what mic pres under $1k would be "the best" for YOU for the application(s) you plan to use this preamp for, after a few more details are given.

Try to let us know what you plan to be using this mic pre for (if not everything). Also, let us know what mics you'll be using in combination with this mic preamp and in what application(s). Lastly, let us know what pre(s) you already have and what you're hoping to get out of this new preamp that you're not getting from the one(s) you already have.
 
Generally speaking, I'd say either John Hardy, Great River . . . or the Peavey VMP2 -- no joke.
 
chessrock said:
Generally speaking, I'd say either John Hardy, Great River . . . or the Peavey VMP2 -- no joke.
the name Peavy and good are never to be used in the same sentence. Peavy = Behringer. Same total quality commitment.
 
Not true when it comes to the Peavey VMP-2 though. The VMP-2 is a legit and GOOD "REAL" tube preamp!
 
I love these type of threads. Hope it doesn't go astray. LOL

Back when I used to be on RAP all of the time, most used to swear by that Great Rivers pre. I know fletcher has them. I also think it was once in some type of mic pre shoot out or something where someone compared a bunch of pres and made a cd .

anyone remember that?


Malcolm
 
acorec said:
the name Peavy and good are never to be used in the same sentence. Peavy = Behringer. Same total quality commitment.

Actually, it really wasn't even technically a Peavey Product. They bought the VMP2 out from a very well-respected company . . . I believe AMR, so technically it's an AMR VMP-2. Either way, it's a gem, and you still see 'em going for $700 or more on ebay all the time.

Not as many people know this, but they also made a stereo tube compressor that no one knows about that's supposedly an even better bang for the buck.

So all in all, I'm not buying the whole Peavey = crap thing. It's blown way outa' proportion. The vmp2 is solid. Their tube comp is pretty amazing. The 5150 is a popular amplifier. The Peavey Classic 30 and 50 amps are, in my opinion, the best tube amps for clean / blues in their price range. In fact, I'd say they might even be some of the best amps for recording clean guitar I can think of at any price point.

So go on and trash Peavey, why don't ya? :D
 
Dot said:
If your music leans more towards acoustic, then the John Hardy M-1 at $950.

More towards rock, the Great River ME-1NV .

For alt rock, the Phoenix Audio DRS-1.

For a great tube pre, the A Designs Audio MP-1.

My 2¢.

Dan Richards
Digital Pro Sound
The Listening Sessions

Meaning no disrespect to Dan, who is both thoughtful and knowledgeable, but personally I would be very hesitant to ever make these kind of sweeping generalizations - especially in an area that largely comes down to personal taste and preference.
 
littledog said:
Meaning no disrespect to Dan, who is both thoughtful and knowledgeable, but personally I would be very hesitant to ever make these kind of sweeping generalizations - especially in an area that largely comes down to personal taste and preference.

littledog, I'd respect that you might be hesitant. But as someone who has used a lot of pres over the years, and who has probably used and listened critically to more preamps than anyone - I have specific reasons why I recommend certain preamps for certain genres and/or applications.

I don't pimp gear, and I don't give a shit what anyone buys - other than I like to see people happy and fullfilled with their gear and the experience of creating rewarding music. And judging by the feedback of the numerous people who have taken my recommendations into consideration and the feedback I've gotten from them on their purchases - my track record ain't too shabby.

So, yeh, I will make VERY specific recommendations - based on budget, what people already have - and applications. I can do that. We have the technology.

Dan Richards
The Listening Sessions
The Project Studio Handbook
 
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Dot said:
But as someone who has used a lot of pres over the years, and who has probably used and listened critically to more preamps than anyone ...

I'd probably hesitate to say that too...;)
 
I can't believe no one has mentioned the FMR RNP (Real Nice Preamp). About $500. Incredible unit for the price, just like the RNC (Real Nice Compressor) is for $200.

You can get it from Mercenary.com. They have a 30 day no limits return policy, so if you don't like the sound, you can send it back.

If you google/groups search the rec.audio.pro newsgroup, you'll see a lot about the RNP.

-lee-
 
Dot said:
I wouldn't. : )


Dot,

I'm saying this with all due respect. And I do mean respect, because I can appreciate the things you've done in regards to the listeningsessions, your fine articles at digalprosound, as well as your distinguished work with the studioforums web site.

However, I have been noticing a rather disturbing pattern lately. Now forgive me for my bluntness, but it kinda' seems to the uneducated observer that you're kinda' getting a big head.

Frankly, I think if you want people to respect you and your opinions, you might try stating them with at least a smaller dose of humility. You are not God's gift to all things audio, and although your opinion is valued, it's not the end-all. I happen to disagree with you on several of your assertions. Which happens to be a very natural thing, given the fact that no two people think exactly alike or have the exact same tastes.

In fact, I would think that the very fact that you've played with so damn much gear might actually throw your opinions off a bit. I mean there is something to be said for someone who has more real-world experience with a particular piece of gear . . . other than having compared it once with about 100 other similar pieces of gear one day in some shootout.

Tone it down already, okay? You're not going to single-handedly dictate every audio person's purchases over the next decade, although I'm sure that's your (decidedly optimistic) goal. Have fun with this stuff. That's what it's about -- remember? ? ?
 
chessrock said:
Frankly, I think if you want people to respect you and your opinions, you might try stating them with at least a smaller dose of humility.
I think he's used a very small dose already. :)
 
chessrock said:
Dot,

In fact, I would think that the very fact that you've played with so damn much gear might actually throw your opinions off a bit. I mean there is something to be said for someone who has more real-world experience with a particular piece of gear . . . other than having compared it once with about 100 other similar pieces of gear one day in some shootout.

Where do get the idea that I compare gear once in a one-day shootout? Everything gets used in real-world applications, and I have most of the gear for at least 90 days - and even 6 months on a lot of it. I've had some of it here for over a year.


Dan Richards
The Listening Sessions
The Project Studio Handbook
 
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