5
5150 Musician
New member
I chose the ART TPS. I've had one for quite a while and for now I've just been using it for the snare and kick drum mic's and I really like the way it warms up the input. I compared it to just a direct digital recording and there is alot more of a solid quality to the sound of it. However, this isn't going to be my main input source; I have been just testing out how it sounded. I use this mic pre hooking up audio sources such as CD's into a power amp that goes into my large PA in the basement. It adds life to the CD's that are played through it.
I have been thinking about getting some really nice tube mic preamps......BUT then again.. the Mackie 1604vlz I am getting has very nice and quiet mic pre's. No need for tubes before the recording, because then you run into having an unnessesary amount of equipment. The law of diminishing returns begins to play a huge role now, almost to the point where I believe I can do exactly just as good without that extra equipment. For example, if I recorded 8 drum tracks using the Mackie's pre's, I could add the tube warmth later on in the left and right after I mix the drum track because if I was using 16 of the same exact tube-based circuits for each track, theres virtually no difference in just waiting until you have the left and right track and just using 2 of those tube-based circuits to add into the mix. Anyways, that's just my opinion and I'm sure people who have endless amounts of money to throw around are going to completely disagree with me but that's alright; if you're going to spend thousands on mic pre's, of course you're going to defend its quality.
I have been thinking about getting some really nice tube mic preamps......BUT then again.. the Mackie 1604vlz I am getting has very nice and quiet mic pre's. No need for tubes before the recording, because then you run into having an unnessesary amount of equipment. The law of diminishing returns begins to play a huge role now, almost to the point where I believe I can do exactly just as good without that extra equipment. For example, if I recorded 8 drum tracks using the Mackie's pre's, I could add the tube warmth later on in the left and right after I mix the drum track because if I was using 16 of the same exact tube-based circuits for each track, theres virtually no difference in just waiting until you have the left and right track and just using 2 of those tube-based circuits to add into the mix. Anyways, that's just my opinion and I'm sure people who have endless amounts of money to throw around are going to completely disagree with me but that's alright; if you're going to spend thousands on mic pre's, of course you're going to defend its quality.