Dynamics are used live a lot because they are forgiving in terms of how close you can get.
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This is absolutely incorrect. Many condensers have extremely high SPL handling abilities and are designed to be positioned quite close to a source. The Shure Beta 98, for instance, is designed to be placed an inch or two from a drum head, or in a trumpet bell.
It's very misleading to speak in generalities about these two microphone design topologies. One could say that, GENERALLY, condensers have a more extended high frequency response than dynamics, but some modern dynamic mics have a high frequency response that approach what has been historically associated with a condenser mic. Some of the Heil mics, for instance, have a high frequency response that approaches a good condenser.
A professional live sound set up typically includes a mix of condensers, dynamics, and even ribbons. Whatever it takes to get the job done best, although you could do a gig with nothing but 57's and people would want to lick your stuff, it sounds so good.
I would recommend a Heil PR 20 UT to the OP. At 101 bucks, it can't be beat for this application.