Track Rat said:
Well, there not as bad as all that. I've never had one go bad or get munched. The ONLY problem I have with them is the low recording resolution (16/48 max).
You are just lucky then I guess. I've owned a couple pro DAT machines (Sony, Panasonic), and had troubles with tapes getting munched. I know others that had the same or similar problems. Getting a DAT machine tuned up to deliver very low error rates is another bit of maintanence that I got tired of paying for.
Some DAT machines will have a special button press access code to show the error rate. The same model can have dramatically different error rates between units. When I want to do a DAT to disk transfer of an old tape I bring the tape to an engineer friend of mine who has the identical machine as me, but his error rates are much lower. We both go to the same place to have our machines tweaked out, too.
Even if the errors aren't bad enough to be audible, they do affect the sound of the music. Lower error rates sound better. Even though there is no *apparent* audio problem with my DAT, I can hear the subtle difference between transfers done on my machine and his. Again, both machines serviced by the same tech, in fine working condition, etc.
DAT machines are just garbage, it is so good they are gone. There is nothing to like about them. Spending money on a DAT now is a total waste unless you need to access a lot of archived DAT tapes, or have people bringing tracks on DAT for you to work on. Otherwise, completely dead.