Another resource for mic selection and recording techniques

  • Thread starter Thread starter Harvey Gerst
  • Start date Start date
ametth said:
Ok, we know who EggHd is..but what I've been trying to figure out forever...WHO IS MIXERMAN??? Do I have to buy gear from him to find out? :)
Sorry about misspelling Randy Nicklaus' name (EggHd), but Mixerman doesn't sell gear. He's a pretty well know mixer/engineer/producer of some major albums in L.A. who has decided not to reveal his name to the public. He is the real thing, tho. As the saying goes, "If I told you, I'd hafta kill you". :)
 
I know he's a big wig :D, I've been curious for a long time now...a while back Mixerman was selling some gear on rap, that why I made that comment.
 
ametth said:
I know he's a big wig :D, I've been curious for a long time now...a while back Mixerman was selling some gear on rap, that why I made that comment.
Didn't catch the gear thing. Speaking of people who sell gear, there's also yrplace (Mark Linett) who did the "Making Of Pet Sounds" boxed set - an absolutely incredible insight into what goes into a Beach Boys album.
 
Anutha' thing Harvey.....

...........how could you say you are a small cap pistol!
I've visited your webpage and seen that you have worked with 1 of my favorite musicians,jazz saxist Stanley Turrentine!!!
Small cap pistol my foot!!
 
Re: Anutha' thing Harvey.....

MISTERQCUE said:
...........how could you say you are a small cap pistol!
I've visited your webpage and seen that you have worked with 1 of my favorite musicians,jazz saxist Stanley Turrentine!!!
Small cap pistol my foot!!
Stanley Turrentine? I don't think so. I've worked with Ornett Coleman, Freddie Gruber, and Charlie Haden, but I don't think I've ever worked with Stanley Turrentine.
 
You road-managed sweetwater? A real rock folklore legend there.
 
charger said:
You road-managed sweetwater? A real rock folklore legend there.
Actually, I was in Sweetwater for a few years, but that doesn't count as a full fledged member. Great group. I still talk to Fred, Nansi, and Alex occasionally. On my website, that's me, coming off stage at Miami Pop Festival with Sweetwater. 40,000 people and a standing ovation - what a rush!!
 
a bit off the subject...maybe...

but Harvey...I noticed on your web page of your studio, you use a Soundtracs mixer.....out of curiosity, why did you choose that mixer??
 
Re: a bit off the subject...maybe...

mixmkr said:
but Harvey...I noticed on your web page of your studio, you use a Soundtracs mixer.....out of curiosity, why did you choose that mixer??
When I started the studio, I was working at International Music Co. in Fort Worth as Director of Electronics. That gave me the Akai 1214 which I kept after I left.

When we decided to expand to 24 tracks, I began a search for what would be a good board for a small commercial studio. I looked at the Mackie, Berenger, Soundcraft, Soundtracs, and several used older boards. There were a few reasons why the Soundtracs stood out:

Seperate phantom power switches, versitle buss switching, good sounding eq (with separate eq for the monitor mix), a mono switch, and most of the features you'd find on a bigger board.

The other major reason is a little more intangible, but follow along: When you work in manufacturing, it's sometimes very profitable to "trade down"; that is, to come out with some lower end products to increase sales and get the name out. When companies do that, it also lets them get better price breaks on key parts by ordering higher quantities.

Since they were a well respected name in England, I reasoned that they probably just took the existing circuit designs from their big boards and transfered it to the smaller board, using a single circuit board for multiple channels.

And I suspected that they increased their economy by simply using the same parts in their small boards as they did in their larger boards. Eliminating a lot of hand wiring and individual channel strips can really save money. Basically, they were selling a big board in a very cheap case.

When I saw them at AES, I asked them about it and they confirmed that's exactly what they did. The parts in a $5,000 Topaz were the same parts they used in their $12,000 Solo board.

So I got the guts of a big console with the "British Sound" for pretty cheap.

So the reasons were: big sound, great features, big board value, reasonable cost.
 
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