
Tim Brown
New member
azraelswings said:Are those 3.5 and 3 octaves including or excluding falsetto?
You know, I don't know. Because everyone keeps saying that Falsetto is "light", "soft" and "whispery" and not very loud; what I always thought was my Falsetto (King Diamond range) my instructor said was just a really high head voice, because I have complete control of intensity and dynamic range in it, and I can hit it really hard.
She said Falsetto takes place when the vocal chords are so tight that the air just barely vibrates the edge of the vocal folds... which is what one of the books I have basically says - even though I imagined that it was sort of like when you put your lips together and vibrated them by going Bbbbbbbb (like a little kid does) I didn't know that the vocal chords actually worked like a zipper, and it is really talking about just one end of it working/vibrating.
So to me, as far as I know, I no longer have a Falsetto, because what I thought was Falsetto turned out to just be a really high head voice. I mean I can hit in that "black female soul singer at church" high range.
So I either can't hit Falesetto, or I sang in falsetto so much that I was able to develop it to the point where I have a lot of dynamic control over it.
Admittedly, I used to sing King Diamond material all day long. ( after all, I AM a metalhead

For me, what I wound up developing is my Chest and Middle voice.
(E above Middle C through B/Bb) is Middle voice for men, that's the weakest area in most males.
For women, it is B above Middle C through E or F.
It's not really a very wide area at all to work on...generally 4 or 5 notes, 6 or 7 if counting the sharps. But once you develop that area, that's a key factor.
For me singing high wasn't a problem (except for my cigarette smoking issue) my problem was learning to sing in my chest and middle voices.
I did the high thing so much but had no control over anything below it- as a result of being a drummer singing behind a guy who living in Italy and trained in Italy, the only background part that I could do that the other guys in the band couldn't do - was the high part, so that was my assigned harmony part - even though Glen could actually almost reach where I was - but his speaking voice was a lot lower than mine. (That was my best friend. He died from pancreatic cancer in the late 90's. We "joined forces" when we were in Ms. Kaiser's 10th. Grade English.)
But anyway, once you break through and establish control of your middle voice, you can work and strengthen it to the point where it's incredibly smooth and not just, "okay, I can sing through that area without breaking."
It's funny, once I decided I wanted to sing, I start getting into all these "dorky" pop/rock bands like Survivor. I HATED them during the early/mid 80's.
Now, I love Jimi Jameson's voice, and that's one of my favorite bands to sing along with because I had either a node or a "bent" spot in my vocal fold, and there were a few notes in my upper chest voice where my voice would just drop out. I always assumed it was from smoking.
I didn't go to a doctor until I had actually worked whatever the issue was out (I'm assuming it was taken care of through the exercises I was doing)
I went to a doctor and they found no problems with my vocal folds, but told me that I may have blown through too much air and that could have been why the folds wouldn't line up, and just like a zipper, if the edges don't match up evenly and smoothly, there's "glitch" or bad spot in the voice.
So for me, the majority of what I do is Chest and middle Voice these days, because that is the area that I always wanted to be able to sing in. Screaming was easy for me. One of my friends told me "You went about this all wrong, you're supposed to start out singing in chest and struggling for a high note, but you just had to come at this bass-ackwards!"
Think about this: Frank Sinatra had an entire career in his Chest voice. Bruce Dickenson and most of the other Metal singers of the 80's aren't as high as you would think. To me, I wanted to be able to sing Dio, Bruce Dickenson, Eric Adams (Manowar), and all of that other power stuff. But when King Diamond came out I found that I could do that easily, so that was what I worked on with the idea that I would work on the other stuff later.... I just didn't know it would take me almost 20 years before I seriously worked on the "other" stuff.

Tim
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