I agree with the previous post , we need some more specifics .I like the sound it has some good tone qualities to it , a bit "airy" though , are you running through a pre amp of any sort? If you aren't I would guarantee you would fill those muddy spots with a good warm sound , if you chose to go through a nice tube pre amp... not one of those hyrbid / solid state "tube" pres.
Thats my 2 cents
Neil
Plenty Of Rope / The Little Studio
Musical Equipment
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76 Ringo Star Replica Luds (my pride and joy , 22 " kick , 1" size separation between 1st and 2nd tom)
L.T.D EC 400 AT (my first "real" electric , love it)
Dean Exotica FM T.B.K
Anjo / Hamer Practise Guits
Peavey Millenium 5 String bass
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Recording Equipment
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SCOPE CREAMWARE PROJECT 6 DSP CARD
CREAMWARE A16 ULTRA A/D CONVERTER (16 INS - 16 OUTS AT 48.8 , 8 IN / 8 OUT 96 KHZ)
Mindprint Envoice MK II Pre Amp / Channel Strip
Soundcraft Spirit FX 8 mixer
4 x Behinger Comps (mainly for low level reduction nothing massive)
Behinger ADA 800 (another adat , only runs at 48.8)
Total Adats in 48.8khz = 24 (amazing for live recording - thats 24 SEPARATED tracks)
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The Rig Running This Bad ass system
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2.66 dual core intel
Asus P5k Mobo running 2 gig ocz ddr2 ram
Nvidia 7300 gs running multiple monitors
Zalman / Antec cooling (damn near silent - only picked up as white noise - it can run right by my mic with no effect!!!)
Antec Sonata 3 Case (Best case in the world!!!!)
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For Vocals
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Studio Projects C1 Condensor (good for mids and screams)
EV neodymium 267 (better than a 58 , better for studio!!)
Audio Technica 4033CL
Shure 57s (......c'mon???)
Samsons (I know......)
Akg D12
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Sonar Producer Edition 6.2
Sony Sound Forge V 9
+Creamware effects (by the way , with my card there is 4 ms of delay from source to monitor through every type of studio effect you can think of , amazing , you should see the live shows i can produce with near to studio quality sound on stage!!!!)