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"Stumbled" across these links, not sure if they're good enough for studio use but thought they were pretty nifty, and being able to make it start to finish for $20 doesn't sound bad either. http://tangentsoft.net/audio/cmoy-tutorial/ http://headwize.com/projects/showfile.php?file=cmoy2_prj.htm...

Scrounging around on ebay, saw this, I'd like to jump all over it but alas the time is not right. Figured I'd pass it on. http://cgi.ebay.com/10-Drum-Mics-AKG-D112-and-9-Audio-Tech-Mics_W0QQitemZ7342957218QQcategoryZ41464QQssPageNameZWDVWQQrdZ1QQcmdZViewItem

Doing some research I've come up with this please let me know if you note any problems or better suggestions. Overheads: AKG 451s (x2) Kick: AKG D112 Snare: Beyer M201 Toms: Sennheiser MD421II's (x2, rack and floor) Room: Audio Technica AT4033 I have no more...

I'm looking to be able to acheive 12 mic inputs for recording, I'm liking the FF800 for the pre amps and converters but was wondering if I attach (if possible, which I'm led to believe it is) an RME Octamic D will that give me the over all XLR inputs I need plus leaving me 6 TRS inputs to spare...

I've read a couple places to not substitute anything for glass when making a window for either a vocal booth or between mixing room and live area, but I haven't seen any reasons on why I shouldn't. Just the "Don't use anything but safety/real glass" kinda thing. And another thing, whether I go...

A new car for my wife, a home studio for me I've been reading the forums on here, sayers, and gearslutz for a few months, there's so much info floating out there. I've played bass for a few years now and have found myself getting caught up in the aspects of recording for my band more than I...

I've been reading through the forums for the last couple of months, just recently decided to register and start posting and finally get rolling on all of this. My problem/dilemma is that I have a room, usable area is 13' x 18', and what I'm having trouble with is what would be the best over all...