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I'm sorry, I did a search on this subject before I posted this, but it didn't yield the results I was hoping for. Basically, I'm done with my mixes and I'm ready to mixdown, and from everything I've read, a good analog mixdown unit is better than a digital one. Now, I have a world class...

........It just isn't big enough. I'm very happy with the clarity of each instrument, everything has it's own place on the EQ and the panning seems to be okay, reverbs have helped with the "bigness", but it just doesn't have the power that I think it should have. It's not mastered, so I...

I am going to be done with mixing my band's album very soon and I'm lucky enough to be giving the final mixdown to world class mastering engineer when I'm done. I'm about 95% musician and 5% engineer so I'm trying to not to step on his toes, but not sure how not to. There's a couple of things...

I have read that if you use reverb, doubling, or delays properly, you can achieve a "bigger" sound, but so far I am struggling to do so. My reverbs are too apparent in the mix. I would just like to enhance the sound I already have, but what I end up with is a very obvious reverb. When I adjust...

I am looking for a high quality wireless mic unit that I can use at gigs but I have no idea where to start. I think Sennheiser makes one but I'm not sure what are considered the better models. Thanks in advance.

I've read in a couple of places that reverb can be used to create a sense of movement on a particular track, but they were very vague about the specifics. Can anyone elaborate? Thanks in advance.

I've noticed that in a couple of the threads lately some of the real pros in here are getting frustrated with some of the threads and seem to be looking elsewhere to post. I just want to let you guys know (FarView, Massive Mastering, Masteringhouse, Harvey Gerst, Scrubs.....to name a few) that...

So here's my situation. I am going to be sending some material off to get mastered by a pretty reputable guy, but I don't want to limit what he's capable of doing by my own meticulous neurosis/idiocy. I was wondering if you guys had any advice on what I should or shouldn't do in the mixing stage...

Is there any way to use acoustic drums that are already recorded as a trigger for electric drums via MIDI? I know that typically this is done while the recording is being done, but I don't have that option. I was hoping that one of you aurally inclined individuals might know. :D

I just picked this bundle up and I was wondering if anyone else had any experience with it and if they had any words of wisdom or things that I should check out. Thanks.

I'm recording my band on ProTools 6.7 and I was curious if anyone new a good starting point for how things in a hard rock/progressive band should be panned. Here's what I'm dealing with: -Bass Drum -Hi-Hat -Snare (top & bottom) -3 rack toms -2 floor toms -2 overheads -rhythm guitar -lead...