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Ok...i just rewired my entire PA system, bi-amping it. tired of soldering now!. anyway, i'm sure i did this right....but at 4:00 in the morning, thought i better get one of the ee types to check that i ain't going to blow somehting up I have a 3 conductor wire running to my speakers. So...

well, it seems now I have taken on the impossibe task. I have some spare time this week so I volunteered to help GRAHMWARE update some of the HR Mic FAQ. I was curious, so i asked to do research on the NADY microphones. Well now, do a search on Nady and you will come up with 500 threads...

there is a forum open right now in the newbie stuff called VOCAL MODIFICATION. The guy says that he recorded his voice into program X and when he burned it to CD, his voice was an octave lower. When he asked why, the answer given was SAMPLE RATE differences. I say, no. not even close. Well...

i am researching this for a fellow musician. She bought a Fostex MultiTracker 160. This is a 4 track CASSETTE based recorder. anyone have any info on this thing, or (hopefully) a manual???

hi folks. this is the first thread that i have ever started. so here goes. i researched....until i was blue in the face, about (budget) type mixing boards. There are always comment about behringer mackie etc. and everone has an opinion. what i found lacking anywhere, was follow up or user...

ok, here it goes. i have been a performing musician for over 20 years. in all that time, i have only seen 1 man use a midi setup for performance. he sat on a barstool and played bass literally on a controller with his feet. as i have gotten into the recording end of things quite heavily now, i...

i have a small project studio, right now composed of a Tascam 424 Mk ii, and also a Fostex MR-8. I do country/light rock unually recording in one track at a time. i have learned alot here of the forum and now have plans to upgrade things a little. even with the MR-8 i need a mixing console...

i come from an RF background, so i understand about lobes and nulls in a radiation pattern, and understand how this applies to the cardiod, figure 8 and other patterns on a mike. what i am unsure of, is in what plane do they exist. if you hold a cardiod dynamic mike vertically, does the null...