Good stuff there, Jimi. That rounded, full bass sound works great with the kick and provides the necessary weight for the guitar to do its thing. It goes without saying that the vocal is outstanding, just right for this style of music. You can obviously wring the neck of that geetar, but at times it sounded like you were trying to do two guitarists and one piano player's jobs at once with it!
All the tones were good and the track was balanced well. The kick went wonky a couple of times, but nothing too bad.
If I was recording this (which I can't - the style is out of my repertoire) or producing it, then I would want to do more with the stereo field, and I'd do that by spreading your guitar work out onto two or three tracks. I wouldn't want them all blasting away at once, but working together with kind of an overlapping call-and-response sharing of parts. I'd have a warmer guitar doing more of the rhythm work, spread to the right (but not too far) and still doing some of the subtler licks. Then I'd have you sing your lines, responding inbetween with nice blues licks with your more raucous, crunchy tone. If it needed it, I'd put some complementary guitar on the left to balance the track. But everything would share space with everything else rather than competing for it.
