
JG96
Active member
So a while ago I was mastering a stereo live recording. The subwoofer was to the side of the stage and because of this I essentially made a high pass and low pass of the mix and put the low end into mono. I am wondering if this is a good idea during mastering in general. For example toms and guitars are generally panned but contain low end that is omnidirectional in real life. Would it make sense to make the low end mono on a master bus? Or would it introduce some crazy phase issues?