Hardware Mastering EQ's

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Did Mastering comp figured we talk bout EQ's now, what's your EQ's you use why you like them? If any mods please do tell.
 
Crane Song Ibis -- It's the regular one, but I had Sean mod it for me -- First, it's matched up better than just about any Ibis on the planet. Second, the swing is +/- 6dB like the "M" version (instead of the stock 12).

Dangerous BAX -- Hell, I bet it's the only piece in the rack "as-is" from the factory. Surprisingly, probably used on nearly every project that comes through (along with the STC-8M).
 
The EQs I'm using now are GML 8200 - Bax (hardware) and RenEQ (software)

I got the GML because I used to have this equipment dealer who would just drop stuff off for me to check out and if it was awesome I would just let him know he couldn't have it back and in turn, I would have to pay for it. I'm in no hurry but will most likely swap out EQ's this year.

This is the new Eq I'm looking at getting: Knif Soma EQ problem is it's a little expensive. (8K)
 
Crane Song Ibis -- It's the regular one, but I had Sean mod it for me -- First, it's matched up better than just about any Ibis on the planet. Second, the swing is +/- 6dB like the "M" version (instead of the stock 12).

Dangerous BAX -- Hell, I bet it's the only piece in the rack "as-is" from the factory. Surprisingly, probably used on nearly every project that comes through (along with the STC-8M).

Explain the moded swing please massive?
 
The EQs I'm using now are GML 8200 - Bax (hardware) and RenEQ (software)

I got the GML because I used to have this equipment dealer who would just drop stuff off for me to check out and if it was awesome I would just let him know he couldn't have it back and in turn, I would have to pay for it. I'm in no hurry but will most likely swap out EQ's this year.

This is the new Eq I'm looking at getting: Knif Soma EQ problem is it's a little expensive. (8K)

Thx for sharing that Waltz I like hearing about great Audio Manufacturers that no one knows about are that are not marketed on a large scale. I love it.
 
One of the most underrated paras I've ever used is the Tascam PE-40. I love it and have used it for years for mastering. Lots of bang for the buck. I don't use software EQ, but I master to 1/4" half-track analog tape. Sometimes a parametric can give you almost too much control, which leads to endless tweaking if you don't know when to stop. The PE-40 is 4-band and relatively simple to dial in a great mix in short order. It's also 4-channel, so you can use only two channels for a stereo mix or send channels 1 and 2 through 3 and 4 for even more tweakability if desired.
 
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Explain the moded swing please massive?
If I need more than 6dB of -- anything -- the mix has bigger problems than which EQ I'm using. The +/- 6dB gives me much finer control over the "important" range.
 
yep, if you are having to EQ THAT much, your mix is suckin'
 
Im seeing less & less Pultech's EQ 1A's and MEQ 5 in the Mastering Process, GONZO, MASSIVE, WALTZ, mind shedding some light on this?
 
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I frequent the "Pentode" and "Tape" controls on the HEDD...
 
Im seeing less & less Pultech's EQ 1A's and MEQ 5 in the Mastering Process, GONZO, MASSIVE, WALTZ, mind shedding some light on this?
 
I can tell you one thing that still stands with me -- And this is where the "if the plugs were as good as the hardware" thing comes in --

I don't (didn't) use Pultecs often for mastering (although if you had a pair that would actually pair up nicely, I wasn't against in by any means and sometimes it's really the only thing that will do). Several years ago, I bought the UAD Pultec (actually at the time, I believe it was part of the package). That plug to this day is (IMO) the best hardware emulation of anything I've ever heard. I don't miss hardware Pultecs one tiny bit with that plug handy.

That said - I don't know if I'd ever actually consider them a "staple" for mastering engineers in the first place... But no doubt, they have a wonderfully unique quality to them (even just switching them on - And that was the first thing I found with UAD - They captured "that sound" a Pultec has even with it zeroed out).
 
I can tell you one thing that still stands with me -- And this is where the "if the plugs were as good as the hardware" thing comes in --

I don't (didn't) use Pultecs often for mastering (although if you had a pair that would actually pair up nicely, I wasn't against in by any means and sometimes it's really the only thing that will do). Several years ago, I bought the UAD Pultec (actually at the time, I believe it was part of the package). That plug to this day is (IMO) the best hardware emulation of anything I've ever heard. I don't miss hardware Pultecs one tiny bit with that plug handy.

That said - I don't know if I'd ever actually consider them a "staple" for mastering engineers in the first place... But no doubt, they have a wonderfully unique quality to them (even just switching them on - And that was the first thing I found with UAD - They captured "that sound" a Pultec has even with it zeroed out).

WOW!, Wasnt expecting that response Massive! :eek:
 
I have used the MEQ a few times ( I def understand finding the pair to make a solid gel fit were aint it ?) Yea just wanted to ask the question cause I am not seeing them anymore. I see me sontec & wises and passives than I do Pultec. Even in the digital world. In the digital world I like the SPL Passive EQ really nice plug. Guess Im gonna have to pull up mu UAD pultec and check it out.
 
Q10 for mastering, It's extremely transparent.

I also like C6 which is NOT transparent but is definitely useful for mastering.
 
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