I don't know about all these issues, and whether someone is hacking into their posts or not.
But I'm not a "shill", nor do I work for Stellar or anyone else. I don't own a microphone modification business or manufacturing business. I am a lifelong musician who loves recording and owns a small home studio.
I used to record a lot of bands, including 3 of my 5 son's bands, tracking and mixing everything from hardcore, metal, rock, r and b, indie, Contemporary Christian, Gaitas (South American music), Showtunes and pop.
I recorded with my own band in the early seventies at the original Hit Factory when it was owned by Jerry Ragavoy, and spent a year and a half there using and loving the sound of 67s, 87s, RCA ribbons, AKGs and Telefunkens.
I know what sounds good and what doesn't.
I've heard Chinese mics, and didn't like the sound of 90% of the ones I heard. I own a pair of MXL V67s only because I found them useful for a couple of things. I also own or have owned an AKG C4000b and C535, a CAD E300, Gefell UM70s, Oktava MK012s, Soundelux U99, Rode NTK, Alesis AM61, Audio Technica AT4051, a Steffens ribbon mic, PZMs, Sennheiser 421s, e609 and various other Beyers, Shures and more.
These days my sons are mostly recording themselves or are in commercial studios doing their work, so my home studio has boiled down to mostly recording my wife (
Suzi Cruz,* An Act To Remember) and another friend (
Home). So I've started trimming down my mic locker and equipment rack to focus in on better quality wherever possible, given my monetary constraints. A better vocal mic was #1 on the list.
My wife's voice (obviously) was first priority and I contacted Mr. Joly and other modders and manufacturers making inquiries and pointing them to my wife's website to ask for suggestions and assistance in choosing something (hopefully under $2000) that would be an obvious step up. Mr. Joly, Dave Thomas (
Advanced Audio Microphones), Langston of JJ Audio (
JJ Audio Homepage), Larry Villela (
ADK Condenser Microphones, Class A Condenser Studio Mic, Live and Broadcast, Retro-Sonic Mics, Project Studio Microphone) and some pro audio dealers were nice enough to connect with me and offer some helpful advice and suggestions. Each, of course, believes in their own products and recommended them as a possible improvement to my current mic locker. Mr. Joly actually pointed me to Dave Thomas because I mentioned I was looking for a C12 or Elam251 type mic, which is not his forte.
But I'm old school - talk is cheap and hearing is believing. So I considered it extremely fortunate when I was able to connect with a couple of recording enthusiasts near my home who owned quite a few of the mics I was longing to hear.
They brought over more than a dozen mics, and I chose what I wanted to hear on my wife's voice. I made the choices based on my experience, ears, research and personal gut-feeling of what "style" of mic might work on her. They were very accomodating and stayed pretty quiet during the choosing, setup and recording of the takes. After listening to all the takes on all the mics I was shocked that of every mic I heard - ranging in price from The Soundelux U99 at $2.5K to the lowly CM6 at $375 - what I loved on her voice in my room on the particular song she sang, Were the Stellar CM5 and CM6.
I finally posted the results over on GS just to be neighborly and share my excitement over finding a couple of mics that I LOVED the sound of for a much cheaper price than I expected to have to spend.
If you buy something, it doesn't affect me one way or the other. But be careful who you listen to. If a person stands to profit from the advice he gives you - DON'T BE TAKEN!