S
soundwave604
New member
Looking to purchase a condenser by this weekend, used to use a at 3035 and wanna upgrade. question is....which one of these should I get?
Typically the first response would be this question: What are you using it for?
Paul![]()
A couple things:
1) (This is nitpicky, sorry) not everything in that list is a condensor; you've got a couple dynamics in there as well.
2) Very few folks will have experience with all those, decreasing the likelihood that you'll get good comparative information. Instead you're likely to get "I've only tried these 2, and I like this one!" (Kinda helpful, but doesn't tell you much about the mic in comparison to the other 4 or 5).
Oh by the way--that's exactly what I'm gonna do.The only mic on your list I've used for male vox is the SM7b and I love it.
...I only have like 3 days to decide now.
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the sm7b is not a condenser mic.
..not everything in that list is a condensor; you've got a couple dynamics in there as well.
Yep, covered that in the first post after the OP.
Turns out he knew it too.![]()
As noted above, like others, I only own two of the mics on your list, but from what I know of them and the others listed, and your proposed use, I'd take the SM7 assuming you have a preamp that will drive it. I have a couple SM7s and they seem to get picked for vocals over my much more expensive condensers with appalling frequency. They've beat out my AT-4050s, GT MD1a, GT MD3, Beyer MC834, Neumann Gefell M582h, AKG C535eb, AKG C414 and Audix VX-10 among others. They've also beat out some other dynamics like the Beyer M88, EV RE-20 and Sennheiser MD441. I've since picked up a vintage U87 and a couple more Gefells, so we will have to see how these fare against the SM7. My original SM7 was getting used so much I bought a second one.
How good is your room? A dynamic mic like the SM7 will be much more forgiving if you don't have a good room. Condensers tend to pick up all the extraneous noises and faults in your recording environment. If you don't have a good treated room, I'd be inclined to get a dynamic mic and of the ones you've listed the SM7 is the best and most broadly usable of the lot.
If you really have to have a condenser, it's a personal taste thing. I'd probably take the 4047 out of the listed mics. I have a couple 4050s and they are extremely useful mics. The 4047 is voiced a bit differently with a midrange centered sound and is cardioid only, but you will likely use the cardioid pattern 98 percent of the time anyway. I generally find Rode mics a bit on the bright side, but if I was going to get a Rode, I'd probably get the K2 rather than the NT2A. I'm generally not an AKG fan with a few exceptions -- C535eb for live vocals on some voices and the ubiquitous C414 (some models of the C414 for some things - usually instruments rather than vocals). The MD421 is best known as a go-to mic for toms. Interesting on some voices and horns, but definitely a more limited application mic. I understand that the MkII model is voiced somewhat differently than the original MD421 as well (I have an MD421).
YMMV.
Looking to purchase a condenser by this weekend, used to use a at 3035 and wanna upgrade. question is....which one of these should I get?
thanks, very helpfull. I have a well constructed sound booth which keeps everything but someone banging hard on the door out, so little sounds getting in is not an issue. Is the dynamic still preferred over the condenser in this case?
That realistically gives you the condenser option, but of the mics you've listed, I'd still take the SM7. What preamp are you using?