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On the Nord Electro keyboard versions I've heard that you can split the organ to lower and upper manuals. Also even split it where the organ can be on a midi controller keyboard and you're Rhodes piano sounds can be on internal keys, or vice versa. They just come out mono in each R/L out...

The complete setup is unnessary to explain but basically one aspect would be a running a speaker cord from the Tube Head to a THD hot plate, and then from the speaker out of the Hot Plate to a volume pedal, and from the volume pedal to the cabinet. This is basically so I can use the line outs...

I've got a Korg SP-250 88key piano and I was gonna control the Nord Electro 2 Module with it, but I'm not very versed in midi. My main wonder is if I will be able to control the Nord Electro module with the keys on the piano AND still be able to control the Nord's Organ drawbars and effects and...

I've been looking at a laptop for school, basic recording like Cool edit pro, and MOST of all I want one for live use. Thats right I have a weighted key midi controller I was just wondering if any of you laptop midi geniuses know of the best lap top for under a grand that I can write research...

Cool I got it, it works.

I gotta get a 3 tier keyboard stand for an organ module, an 88 key piano and an Alesis Micron. However I don't know exactly which keyboard stands will fit the micron. Myset will probably be the piano on bottom, Organ, and Micron on top, or Micron on the second tier. Anybody know which...

I want to run the preamp out of my 5150 II into a processor that does stereo panning and then run the L and R outs into seperate solid state combos. For a stereo sound. Now if I'm just running the preamp out on the 5150 head without any cabinet or anything, just the head itself on soley used...

I want to run the preamp out of my 5150 II into a processor that does stereo panning and then run the L and R outs into seperate solid state combos. For a stereo sound. Now if I'm just running the preamp out on the 5150 head without any cabinet or anything, just the head itself on soley used...

I've got a Boss GT-3 that makes some nice tremelo panning, some similar to the rhodes piano sound. I have 5150 head running into two seperate cabinets spaced apart. Now how would you pan/tremelo seperately(because there is a tremelo effect when I do this, but not a seperate tremelo panning...

Or will a computer monitor cord work. I realize that really may not be the best thing and could damage the mic, but I was wondering do I have to get the same adapter plug cord from groove tubes? Or is there a way to look up the particular specs on the GT-44 cord and get another at say radio...

I don't have any pics. But I saw it at a local thrift store. Its a regular 5 piece, looks like its from the 80's or early 90's, its black with a white stripe circling the middle of each drum, the outside says "Quadura", and the inside shell of one of the toms says "Acousticon SE". Well on...

Anybody have one or know of anyone whose got one of these for sale? I got a good use for one. I prefer 20 inch. a bass drum. Peace.

Anybody know of a source where these are available besides the company itself. Figured I'd ask since I got a great response for where to get an SM7.

I've been considering Studio Projects T3's for overheads, anyone have experience with using them in this application?

V69 V77 AT4060 GrooveTubes MD1b SP T3 Without sounding generic I'd prefer the mic that isn't completely transparent and atleast slight color in a vintage way that is noticable even if subtle, some transparency is good, sits well in dense mixes, and smooths out at the top end AKA NOT...

ANYBODY? I've been researching the SM7 and its perfect for my uses.

I live in my room with all my insturments and don't prefer to do extensive sound treatment at this point. Anyways I've been strongly considering going dynamic so that I can zero in on the drumset sounds and not require any sound treatment to get good sound. I'm planning on using the "Led...

Still feeling floundered guys, would like to hear from those who actually have them! :) Is it really worth it to get the Behringer B-2 pro as opposed to getting the Studio Projects B-1? Those who own both what differences do you sight? My applications for them would be micing...

I have a HUGE Akai DPS24 in my room for recording, the thing weighs about 50 pounds and is very wide. I'm staying with the folks currently and the computer I use to run WAV files into from my little boss recorder is in another room so using the USB with the Akai port isn't an option in that...

Through research of great budget mics I've come to these two mics. I'd like to hear folks views on these two mics. I'll be using them for acoustic, vocals, and overheads for drums. I heard an account of the B-2 being similar to a U87 on DPSworld forum. So whats the consensus on these two...