Whose gear do you AVOID like the plauge?

  • Thread starter Thread starter gbondo9
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There is a lot of manufacturers that aren't great but it's almost a given that all of them have at least something that doesn't suck. I actually really enjoyed the tone of a kids Crate Blue VooDoo that was in recently. Behri's ada8000 is also fairly usable and the headphone amps are a decent bang for the buck. Nady has some decent cheap ribbons but their cheap sdc's are complete shit.
 
Any vintage stuff. Too much money, most of it shot, mainly sucked when it was new. Never could understand the collector mentality.
 
Based on my experience, I don't think Peavey is bad at all. I'm using an almost 20 year old KB100 keyboard amp that's still kickin' and has been used live - I don't even remember how many times. Also am using a old CS800 amp that has been used and abused - still fires up and still sounds great. We're also using a collection of stage speakers all with Black Widows, and Peavey subs and they work flawlessly at every gig and have for the past 8+ years.

Gear I wouldn't invest in would be any mixers made by Behringer. Already had bad experiences using them live. If they sat on a desk and were using in a budget home studio, maybe (but even you would do much better with a Yamaha budget mixer). We do use three of their Feedback Destroyers in our live rig (for the stage monitor system), and they have always worked great since purchase.

I wouldn't invest in Nady monitors and amps either. Their monitors are nice and light, but they sound like crap and I imagine if they were dropped would be done for.
 
I will effectively use whatever is there to record/mix with!

Brands I am very weary of:

Peavey!
Nady
Sampson
Mackie (every Mackie piece I have used had at least ONE problem with it. :( )
 
phonic
horizon
philips

i like peavey. everything peavey i own works fine. hell, i was actually blown away by how nice a peavey amp sounded once, and started hunting one down for myself..
 
I had typed up a nice little list of brands I have never really liked...

Then I thought better of it and decided not to hate. Almost all the brands I had listed have at least one or two products that I have at least considered trying. The bottom line for me is, if it sounds good and is reliable I will use it.

One thing I have learned in life, is that if you close your mind to things based on one experience or just irrational dislike, then you are the only one who loses out...
 
treymonfauntre said:
i like peavey. everything peavey i own works fine. hell, i was actually blown away by how nice a peavey amp sounded once, and started hunting one down for myself..

Make sure you keep your Peavey power amps VERY clean. They are the most susceptible amps I have every used to overheating problems which come from filters not being cleaned regularly. While they provide okay power vs bucks spent, they do indeed sound pretty clean.
 
Nady - I have some headphones. They're crap sounding. I use them to check the "harshness" of my mixes, though, since they seem to emphasize that special "suck" range of frequencies. They are pretty comfy, though. The RSM-2 Ribbon mic is pretty good.

Alto - I have their 2-channel toob pre. Noisy little fucker. Right now I'm using it for rack tom mics, since I gate out the noise anyway.

Samson - Don't own any of it, and don't really care to.
 
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kid klash said:
Crate and Nady.

I'd like to add Samson and Phonic to my "I will AVOID" list too.

As someone else mentioned, Nady's re-branded ribbon mics are decent (same as everyone else's Chinese ribbons), if you can find a decent price, so this might be my only exception, although Shinybox's proice is comparable and their support is excellent (and they pre-inspect all of their mics before shipping), and the Cascade Fathead is about half the price as the Nady-branded equivalent for the same mic.

Sorry for the rambling...
 
zacanger said:
Crate amps, though the one preamp (yes, a Crate mic pre) that I have doesn't absolutely suck.
Anything made by a certain B-word company.
Line 6. Any.

Same here with the 'B' word.
 
Berry, anything non-amr peavey (I have the vc/l2 and vmp/2 and the vmp1 and use them daily), over priced avalon crap, noisy vintage gear, mackie( all sound the same) samson, nady, drum mic pack's, marshall mic's... I could go on but.....
 
Behringer
Randall
Crate
Roland (customer service issues)
 
Behringer - everthing they make seems to be crap

Peavey - almost everthing they make, there a few not bad items but their guitars and amps blow wads.

Crate - junk

Samson - crap

Phonic - cheap and nasty

Fender - all their newer amps including the solid state and hot rod amps.
- the newer American series guitars with those 2 post bridges and that crap that comes out mexico and the far east.

Marshall - all solid state and channel switching amps.

Epiphone - What a laugh, cheap guitar for cheap players.

PODS and every Modeling divice out there - Nice try but not even close.

Gibson - Nice looking expensive guitars that are not that great.
 
Behringer, although I have a Virtualizer Pro (haha) that I bought used a while back, has decent reverb for veeeery light vocal stuff.

Also have a Behringer T1952 Ultragain from about 7 years ago that sounds decent with some mics, and shit with others.

I also wouldn't buy from Nady again (maybe aside from their ribbons *ooh*), but the parametric EQ I have of their's isn't AWFUL... and since I can't afford better at the moment, if a track absolutely must have more than what my onboard can provide, it hits the chain (which isn't that often). More often it will be used for sidechaining from a compressor.

Other companies? Hmm...

Can't think of any at the moment. Usually even if I have some sort of aversion to a particular brand, if enough people here and on other sites offer a good review for a product, I could be talked into buying it (Like the MXL V69 that I am currently thinking about - I am looking for a darker mic for vocals since my voice is deep but has a high presence as well, and many have suggested that mic)
 
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