seongkeat said:
i only have the line6 ux1 for the audio interface...and i m also just a beginner... i may use it record some pop/rock stuff... mainly instrument will be recorded true midi and the guitar track will b all recorded using the pod... so what is the best choice ? i m thinking to get SM57 because maybe i can use it to mic for instrument in future... but will the sound weird or different is i using it to for recording vocal ? thats the main problem i m thinking to get between sm57 and sm58....
thanks..
SM57 is a good place to start and here is why:
1. Cheap
2. You can use it later on screaming guitar cabs and drums when you realize that is sucks on vocals and most instruments that are not screaming guitar cabs or snare drums.
3. it is dynamic and will mask how bad your room sounds.
Even though it sounds like i am being sarcastic, i am not, everyone needs to start somewhere and a 57 is as good as anywhere else. But the point is that once you get started, you will see that you need more to get a decent recording.
The SM57 is not a mic that will normally add anything to your vocal sound, or capture the nuance of your performance. If you have phantom power (if you don;t know what that is, cehck into it, you should before you go down this road) you can try
a Studio Project B-1 or simliiar entry level large diameter condenser, which can work on vocals and acoustic instruments. HOWEVER, condensers as a rule are sensisitive and you will pic up all sorts of unwanted noise from your room, like computer fans, window fans, people walking down the hall, the cat farting, and horrible sounding vocal and instrument performances that come from the terrible reflections of an untreated room.
THis is a pretty standard " i am just getting into recording" process. The more sensitive and accurate your recordings, the more you notice that your voice, talent, room, etc all sound terrible (and probably worse than they really do). Then starts a long chain of (hopefully, first) investment into the room to give yourselve a fighting chance at a decent recording, then into micrpohones (usually more than one, since different mics will be better suited for vocals, acoustice instruments, various drums, etc), preamps, EQs, etc.
Daav